Li Yuandong was born in August 1964, a famous person in Mao, Guangdong. He is currently the president of Guangdong Calligraphy Court, a national first-class artist, a representative of the Ninth and Tenth National Congress of the China Federation of Literary and Art Circles, a director of the China Calligraphers Association, a member of the 4th China Calligraphers Association, a member of the Fifth, Sixth and Seventh Running Skills Professional Committee of the Chinese Calligraphers Association, a member of the Chinese Poetry Society, a member of the Ninth, Tenth, Eleventh and Twelfth Committee of the Guangdong Provincial CPPCC, a member of the Literature and History Committee of the Guangdong Provincial CPPCC, a librarian of the Guangdong Provincial Museum of Literature and History, and a vice chairman of the Guangdong Calligraphers Association. He was appointed as a visiting professor and graduate supervisor of many universities such as Guangzhou Academy of Fine Arts, Jinan University, Guangdong Technical Normal University, and Guangzhou University.
Calligraphy works won the second prize of the first national running and cursive script exhibition, and the sixth national calligraphy and seal carving exhibition of middle-aged and young people won the award; they entered the fifth, sixth, seventh and eighth national calligraphy exhibition, the seventh and eighth national calligraphy and seal carving exhibition of middle-aged and young people, the “Hongpin Maple” contemporary calligraphy nomination exhibition of 100 famous masters writing beautiful Chinese calligraphy, the “National Backbone” celebrated the victory of the 19th National Congress of the Communist Party of China, the national calligraphy exhibition, the contemporary calligraphy master system engineering·The National Five Hundred Calligraphy Quality Exhibition, the works exhibition of contemporary Chinese running and calligraphy masters, the second “Weng Tong Award” calligraphy exhibition; We are invited to participate in the third national calligraphy critic nomination exhibition, the “Ten Schools of Running and Cursive Exhibition” national series exhibition, and the national running calligraphy master nomination exhibition, etc. We have been the judges of various series of calligraphy exhibition competitions organized by the Chinese Calligraphers Association, the fifth national couplet calligraphy exhibition, the “Lady Xian Award” of the National Calligraphy Art Competition, the first national elderly calligraphy exhibition, the third national calligraphy fan exhibition, the “China Burial Crane Award” national calligraphy works exhibition, the second national album calligraphy exhibition, and the fourth national cursive calligraphy exhibition.
In September 2014, the “Traveling Eyes” Li Yuandong’s Calligraphy Art Exhibition was successfully held. He was named the leading talent in Guangdong Province’s propaganda, ideology and culture in 2015. He was elected as the “Top Ten Figures of the Year of Chinese Calligraphy Cross-Century 2011”. He won the “Lanting Prize” (one of the Three National Ones in the Country), “Commemorating the 30th Anniversary of the Founding of the Calligraphers Association of China”, “National May Day Culture Award”, Guangdong Federation of Returned Overseas Chinese 2009 “Outstanding Contribution Award”, Guangdong Federation of Returned Overseas Chinese 2010 “Outstanding Organization Award”, “Guangdong Lu Xun Literature and Art Award”, etc.
Enjoy the public welfare of calligraphy, cultivate calligraphy talents, and actively participate in volunteer service activities. In recent years, I donated calligraphy works to more than 20 social charities and groups, raising more than 20 million yuan, and donated all of them to charity.Career; organize and plan calligraphy talent training and calligraphy on campus charity activities, organize and plan more than 30 national calligraphy sprint classes and short-term training classes, the sixth session of the Guangdong Calligraphy Academy Calligraphy Advanced Study Class, the five teaching points of the Guangdong Calligraphy Academy Calligraphy Advanced Study Class (Shantou, Meizhou, Zhuhai, Maoming, Qingyuan), and the first calligraphy tutor class in Guangdong calligraphy world, etc., and train more than 3,000 Lingnan calligraphy talents, with remarkable results; organize calligraphers and calligraphy professors, doctoral students, masters and other students to visit universities, middle schools and primary schools for more than 100 times.
As a representative of calligraphy artists who exchanged foreign countries, he went to the eight European countries, Australia, the United States, the United Nations headquarters, Sri Lanka, Mauritius, South Africa, Canada, Japan, South Korea, Denmark, Germany and other places to attend calligraphy exchanges and promotion activities and give special lectures on calligraphy art; he published six volumes of “Contemporary Calligraphers Series – Li Yuandong’s Calligraphy Collection” in total, with five personal monographs; Guangdong TV, Hong Kong Asia TV, and Maoming TV respectively recorded “Cultural Pearl River • Spring Breeze and Rain-Calligraphy-Calligraphy Li Yuandong”, “Diligent Calligraphy Art” and “Li Yuandong’s Calligraphy Art” and other special interview programs and broadcasts.
Regular script screen 236cm×52cm×4
Remembering Teacher Wang Chucai
Explanation:
Showing the poems of Lingnan Peach and Plum Spring, and the withered vines and ancient trees are innocent.
A life of knowledge is still far away, but the calligraphy world has not yet been revealed for 30 years.
You can understand the wonders of Binhong and the mountains and rivers, and you can follow Mr. Ruan’s temperament and relatives.
Specialize in studying and devote yourself to fame and fortune, and your art is vast and chaotic.
Shen Yi Junxiong, Strong and Honest
——A Brief Introduction to Mr. Li Yuandong’s Calligraphy Art
Western Chinese
Mr. Li Yuandong is one of the famous contemporary masters I have always paid attention to. There are two reasons for paying attention to him: one is the direction and pattern he represents in contemporary Weibei innovation; the other is his achievements and height in big-brand creation.
The stele was flourished since the Qing Dynasty and was vigorously promoted by Kang Youwei and others. It has flourished for more than a hundred years and has emerged in many famous masters. From Zhao Zhiqian to Sha Menghai, from Zhang Yuzhao to Li Shutong, there are diverse styles and unique styles. It has become a major calligraphy art school that is invincible to the calligraphy of calligraphy, which also shows that the stele studies do have inexhaustible artistic resources. However, since the late century, epigraphy has seemed to be silent, with few great masters and new styles being released. In the past forty years, the calligraphy name is Revival. However, compared with the post Komiks 1960 witch cloth drawThe enthusiasm of the study of Komiks 1960 witch cloth draw, the achievements of seal script and clerical scripts are not many novel ideas, and there are fewer creations. It can be called the one who has established himself in the city and established himself in the world, but Mr. Sun Boxiang can be regarded as the one who succeeded him. The most accomplished calligrapher of his successor is Mr. Li Yuandong.
Mr. Li Yuandong inherited Naitu, and used “Shiping Gong” and “Zhang Menglong” to base his foundation, and used the solid square pen as the style to express a gloomy and simple charm. This is a distance from the Wei stele masters since the Qing Dynasty, such as Zhang Yuzhao, Zhao Zhiqian, Wu Changshuo, Kang Youwei, etc. However, Li Yuandong showed his own characteristics on the basis of Naitu. There are mainly three aspects:
First, Li Yuandong’s approach is not limited to “Zhang Menglong” and “Shiping Gong”. It is not difficult to see that he has also copied many Northern Wei epitaphs and calligraphy of scriptures. The diversity of approaches makes his brushwork richer. His pen uses a few elements of round brushes based on square brushes. Reducing the severity of the pen with the side tip and increasing the harmony of the center tip, making the lines in his pen heavier, richer and more tension and connotation. Although this is also reflected in Sun Bolao’s writing, Li Yuandong is obviously more conscious and bolder, and more effective.
Cursive script strip screen 180cm×45cm×2
Looking from the horizontal, it looks like a ridge and a peak on the side, and it is different from the distance and height.
I don’t know the true face of Mount Lu because I am in this mountain.
——The words come from Su Shi’s “Inscription on the West Lin Wall”, which Xi Jinping quoted in articles such as “Escape from Poverty: The Light of Eastern Fujian – A Thought on Cultural Construction in Eastern Fujian”
Second, Li Yuandong’s Wei stele is unconventional, lively and lively, and has no direction to change, showing a clear tendency to be in running script. The aesthetics of contemporary calligraphy are influenced by many aspects, showing a trend of breaking traditional barriers and integrating and referring to each style. For example, the running and cursive transformation of seal and clerical scripts, etc. The Wei stele in history is due to practical needs, and is all regular script. How to make this style of calligraphy also integrate with other styles such as running and cursive script is an important topic in front of contemporary calligraphers. Looking at the contemporary calligraphy world, many people have made useful explorations in this regard, and Li Yuandong is one of them. It is worthy of praise that Far East can accurately grasp the direction and measure with its profound skills and keen insight. Therefore, although his Wei stele has a strong running and cursive meaning, it makes people feel just right and will never lose the characteristics of Wei stele.
Third, Wei stele calligraphy in Far EastCinema 1950 witch cloth draw has a very distinctive personality. This fully reflects the artistic concept of Far East writing about the heart with calligraphy. Although the Far East has profound skills, his calligraphy creation does not have the twists and pretentiousness of deliberately expressing his skills, but a kind of freedom to express his mind and hands, forget about both things and oneself. Everything is like flowing clouds and flowing water, and it will naturally be natural. This is a very high state.
Mr. Xuyu proposed the concept of “Jin Kai” a few years ago. What is Jin Kai? Of course, everyone will have different understandings. But I think that using regular script to promote personality and subjective spirit should undoubtedly be the main meaning of regular script. I think Mr. Li Yuandong’s Weibei calligraphy can be said to be a style of Jin Kai!
Since the revival of calligraphy, cursive script has achieved great achievements, with many famous artists and diverse styles. Especially the cursive script, known as the “crown pearl of calligraphy art”, are many outstanding famous artists. There are two examples of cursive script: one way is to take Zhang Xu as the priest, use the pen to lift and press, and open and close; one way is to take Huaisu as the teacher, and pave it purely with lines, and the center is dominant. Huaisu has many criticisms in history and theory, which is called “different and savvy”. However, Zhang Xu rarely criticized him along the way. It is a bit regrettable that the most people who write big scripts in contemporary times are the patriarch Huaisu, while fewer people follow Zhang Xu, because Zhang Xu is more difficult along the way. Mr. Li Yuandong’s cursive script belongs to Zhang Xu’s journey, and is composed of Sun Guoting, Huang Tingjian, and Wang Duo. Sometimes he uses some square brushes of Wei steles, so his cursive script is very rich. Looking at his works, they are full of madness and unrestrained spirit of Dionysian, but their pen lifts and turns are meticulous, and every stroke is in place, without any vagueness and ambiguity. Mr. Liu Zhengcheng said that the cursive script in the Far East was between Wang Duo and Yu Youren. This evaluation makes sense. It can be said that his cursive calligraphy is as strong as Wang Duo, and his pen is as steady and solid as Yu Ren.
Cursive Shop Central Hall 220cm×100cm
Morning Writing Like Songs·Ten Years of the Exhibition of Running and Cursive Scholars (Bingshen Fuzhou Exhibition)
Explanation:
Meeting with Eight Min (East Yue) and singing together, and the same boat as the Mo Forest.
The snow brings the firewood and the article is interesting, and the sunny farms and rain makes the arts and the paths to read.
It is hard to break the fragrance of love, but I have long been holding the reputation and dreaming.
The pen is written on the piano and the hill needs to be (law) ancient, and the love is connected to the sea and dai year by year.
Weibei and Dacao are two completely different styles of calligraphy. To combine the two, the difficulty is conceivable.. But Mr. Far East advanced to the point of difficulty and successfully combined the two, and his style was very unified. Its Wei stele has obvious grass-like characteristics, lively and lively; while its large grass is made of pens that are solemn and vigorous, like painting sand in the cone, and has a strong Wei stele interest. The combination of the two is so perfect and natural, I think it is related to the character of the Far East. Truthfulness, simplicity, generousness and grandness are the two prominent characteristics of Far Eastern personality. In his works, it is expressed as a unique and simple, thick, bold and elegant Babaylan 1990 cloth draw personality style.
Mr. Li Yuandong is by no means a craftsman calligrapher who can only write (although there are many such calligraphers at present). He has a very deep traditional cultural foundation. Far East sent me his ancient poem “ask for advice”, and I was very surprised after reading it. His poems not only have lofty ideas and fresh styles, but also have very strict rhythms, and the rhythm is very standardized. The rhymes of Komiks 1960 witch cloth draw are very standardized. What is particularly commendable is that the poems are elegant and novel in their lyrics and sentences, and they are also very appropriate and precise in their use of allusions, which are considered to be the best among contemporary calligraphers. For well-known reasons, people of the age of Li Yuandong have received less traditional education. Many famous calligraphers, even calligraphers who are well-known for their academics, show their timidity when writing ancient poems. And being able to achieve such achievements in the Far East must be the result of hard work and self-study. I once said: Chinese characters and traditional culture are the two cornerstones of calligraphy art, and if a calligrapher is missing, he will not be a qualified calligrapher. We are delighted to see that Mr. Li Yuandong has reached a good level in both aspects. Appreciating his calligraphy and evaluating his poems can’t help but be amazed by the contemporary calligraphy world that has reached such a height!
Mr. Li Yuandong is not only an outstanding calligrapher, but also an excellent calligraphy organization worker. He has been in charge of the Guangdong Calligraphy Court for many years and has initiated and organized many large-scale calligraphy activities with wide influence across the country, which has received unanimous praise from the national calligraphy community. At the same time, he has repeatedly invited contemporary famous artists to Guangdong to give lectures and preach, bringing the latest calligraphy information, academic dynamics and aesthetic concepts to Guangdong, benefiting Guangdong authors a lot, thus promoting the cultivation of Guangdong’s calligraphy talents and the development of calligraphy career. At the same time, Far East is also enthusiastic about public welfare and actively participates in and promotes the cause of calligraphy serving the society. Using calligraphy as a medium to make good friends, Guangdong’s calligraphy charity has made it popular, thus winning widespread respect from society.
Liu Xizai’s “Book Summary” says: “High rhymes and deep affection, strong and noble spirit, and one cannot be written in a book without any lack.” He also said: “The books of wise men are warm and mellow, the books of heroes are calm and determined, the books of dissatisfied scholars are successful, and the books of talented men are beautiful.” The books of Far East are both talented and noble and noble, and they are exquisite and noble. With its unique personality, it stands out in the contemporary book forest!
Running script strip screen Komiks 1960 witch cloth draw138cm×69cm×8
Don’t praise the good colorBabaylan 1990 cloth draw, leaving only the clear air to fill the universe. ——The words come from Wang Mian’s “Ink Plum”, Xi Jinping quoted in his speech meeting with Chinese and foreign journalists on the 19th CPC Central Committee’s Political Bureau Standing Committee with Chinese and Foreign Reporter
The seminar on “The New Era of Hymns and the Spring View of Lingnan – Li Yuandong’s Calligraphy Art Exhibition” was successfully held
This newspaper reported On the morning of April 29, 2018, the seminar on the “New Era and Spring View of Lingnan – Li Yuandong Calligraphy Art Exhibition” supported by the Publicity Department of the Guangdong Provincial Committee of the Communist Party of China, the Guangdong Provincial Committee of the Chinese People’s Political Consultative Conference, the Guangdong Federation of Literary and Art Circles, the Exhibition Department of the Chinese Calligraphy Association, the Calligraphy and Seal Academy of China National Academy of Painting, and the Guangdong Art Museum. The seminar on “New Era Songs and Spring Looks of Lingnan – Li Yuandong Calligraphy Art Works Exhibition” supported by the media was held in Guangzhou.
Under the auspices of Zhang Guiguang, Chairman of the Guangdong Calligraphy Association, the exhibition and seminar were successfully held. More than 30 famous calligraphers, calligraphy theorists and calligraphy critics from all over the country, Wu Dongmin, Song Huaping, Mao Guodian, Liu Jinkai, Wang Chunxin, Zhang Xuguang, Zhou Junjie, Jiang Shoutian, Zhang Guiguang, Zhou Wenzhang, Zhang Ge, Yan Yiduan, Ou Guangyong, Lian Deng, Cai Shunong, Qi Gang, Li Shijun, Qiu Shikun, Qi Guhua, Wu Xue, Zhang Weidong, Wang Houxiang, Ni Wenhua, Fu Yacheng, Liu Yantao, Luo Yiqun, Wang Zhongyong, Chen Zhiping, Wang Zhimin, Lin Feng, Li Yuegui, Li Qingwei, Xu Hongji, Fan Chunqi, Jin Jijun, Chen Kai, Zheng Rongming and other experts at the conference expressed their insightful opinions, rich topics and enthusiastic speeches. Experts conducted in-depth discussions on the theme and content of the exhibition – General Secretary Xi Jinping’s allusions and Li Yuandong’s own writing and poems. The guests unanimously agreed that the theme of the exhibition is in line with the theme of the times. Cinema 1950 witch cloth draw is an important attempt to practice the spirit of General Secretary Xi’s literary and artistic speech; Li Yuandong used the calligraphy creation concept of inscriptions and the integration of inscriptions and calligraphy, and the academic topics such as “Northern Stele and Southern Stele” that caused it, provided new inspiration for the creation of calligraphy in Lingnan and even the whole country.
Site of the seminar
“The New Era and the Spring View of Lingnan – Li Yuandong’s Calligraphy Art Exhibition” was grandly opened at the Guangdong Art Museum
Guangdong News
This newspaper reported that on the afternoon of April 29, 2018, the Propaganda Department of the Guangdong Provincial Committee of the Communist Party of China and the Guangdong Provincial Committee of the Chinese People’s Political Consultative ConferenceThe Literature and History Committee is the guiding unit, the Guangdong Federation of Literary and Art Circles, the Exhibition Department of the Chinese Calligraphers Association, the Calligraphy and Seal Carving Academy of the National Academy of Painting, and the Guangdong Art Museum are the organizers, and the Guangdong Calligraphers Association and the Guangdong Calligraphy Academy are the organizers; the opening ceremony of the “New Era Praise and Spring Look of Lingnan – Li Yuandong Calligraphy Art Works Exhibition” supported by the media was successfully held at the Guangdong Art Museum.
Li Yuandong’s thanks speech at the opening ceremony
The important leaders and guests attending the event include: former commander of the Lanzhou Military Region and General Li Qianyuan, former vice president of the National Academy of Administration and director of the Chinese Calligraphers Association, Deng Weilong, former deputy director of the Guangdong Provincial People’s Congress and chairman of the Guangdong Federation of Trade Unions, Ouyang Jingu, former deputy commander of the Guangzhou Military Region (lieutenant general) Zhou Weimin, former lieutenant general of the Southern Theater Command, Liang Sui, former deputy commander of the Guangzhou Air Force Cinema 1950 witch clothes draw group, former director of the Chinese Calligraphers Association and former commander of the Armed Police Corps (Major General) Wang Chunxin, former deputy political commissar (major general) Zhang Zhonghui, former deputy commander of the Hunan Military Sub-district Dai Huan, former deputy director of the Political Department of the Guangzhou Military Region (major general) Xiong Yan, former director of the Teaching and Research Department and doctoral supervisor (major general) Huang Bin, former director of the Military Affairs Mobilization Department of the Guangzhou Military Region Command, Yang Zhaoguo, etc.
The guests outside the province include: Mao Guodian, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Jiangxi Calligraphy Association, Wu Dongmin, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Hainan Calligraphy Association, Liu Jinkai, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Hebei Calligraphy Association, Song Huaping, Vice Chairman of the Chinese Calligraphy Association and Vice Chairman of the Henan Federation of Literary and Art Circles, Li Shijun, Director of the Chinese Calligraphy Association and Chairman of the China Calligraphy Media Group, Zhang Xuguang, Director of the Chinese Calligraphy Association and former Deputy Secretary-General of the Chinese Artists Association, Zhou Junjie, former Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Cinema 1950 witch clothes drawWu Xue, director of the China Calligraphy Association and chairman of the Anhui Federation of Literary and Art Circles, Liu Wenhua, director of the China Calligraphy Association and former director of the China Calligraphy Association Training Center, Zhang Ge, director of the China Calligraphy Association and chairman of the Heilongjiang Calligraphy Association, Qi Gang, director of the China Calligraphy Association, deputy director of the running script committee, and chairman of the Chongqing Calligraphy Association, Wang Houxiang, director of the China Calligraphy Association and member of the cursive script committee, Liu Jingwen, member of the running script committee of the China Calligraphy Association, Fu Yacheng, member of the seal script committee of the China Calligraphy Association and visiting researcher of the Chinese Character Museum, and Liu Yantao, member of the seal script committee of the China Calligraphy Association.
The guests in the province include: Jiang Haiyan, former deputy secretary-general of the Guangdong Provincial Government, Wang Yiyang, director of the Guangdong Provincial Department of Culture, Cheng Yang, director of the China Calligraphy Association and secretary of the Party Group of the Guangdong Federation of Literary and Art Circles, Bai Jie, secretary of the Party Group and director of the Guangdong Provincial Radio, Television and Press and Publication Bureau, Liu Sifen, former chairman of the Guangdong Federation of Literary and Art Circles, ChinaXu Qinsong, Vice Chairman of the National Artists Association and Chairman of the Guangdong Federation of Literary and Art Circles, Fang Jianhong, Director of the Literature and History Committee of the Guangdong Provincial CPPCC, Wang Shaoqiang, Director of the Guangdong Artists Association and Vice Chairman of the Guangdong Artists Association, Lao Wenhao, former Deputy Director of the Organization Department of the Guangdong Provincial Party Committee, Wang Guichen, former Deputy Director of the Guangdong Provincial Museum and famous scholar expert, Chen Yongzheng, former Vice Chairman of the China Calligraphy Association and Honorary President of the Guangdong Calligraphy Court, and Chen Yongzheng, Honorary Dean of the Calligraphy Court of Guangdong Province, and Cinema 1950 witch clothes draw Zhang Guiguang, Chairman of the Calligraphy Association, Professor and Doctoral Supervisor of South China Normal University, Li Jinkun, Chairman of the Guangdong Art Association and Dean of the Guangzhou Academy of Fine Arts, Zheng Xiancao, Deputy Director of the Guangdong Provincial Department of Finance, Zhang Ruwen, former Deputy Director of the Guangdong Provincial Department of Civil Affairs, Guangzhou Municipal CommitteeBabaylan 1990 clothes drawZhou Jun, deputy director of the Organization Department, former secretary of the Party Group of Guangdong Federation of Literary and Art Circles Chen Zhongqiu, deputy secretary of the Party Group of Guangdong Federation of Literary and Art Circles Qiu Kejun, former president of the Guangdong Federation of Socialism Lin Weijian, former chairman of the Guangdong Federation of Social Sciences and director of the Provincial Committee of the Chinese People’s Political Consultative Conference Li Feng, former secretary of the Party Group and chairman of the Provincial Federation of Returned Overseas Chinese, Li Pengcheng, former secretary of the Party Group and chairman of the Guangzhou Federation of Literary and Art Circles Lu Chengzhong, former inspector of the Guangdong Federation of Literary and Art Circles Ni Qian, former director of the Propaganda Department of Maoming Municipal Party Committee Luo Lijie, former chairman of the Shenzhen Federation of Literary and Art Circles Rong Tiewen, former secretary of the Shanwei Municipal Party Committee Luo Yanqiu, former secretary of the Qingyuan Municipal Party Committee Luo Guangrong, former deputy secretary of the Qingyuan Municipal Party Committee Deng Guangrong, and Li Babaylan 1990 clothes drawbin, Xu Yongbo, director of the Literature and Art Department of the Propaganda Department of the Guangdong Provincial Party Committee, Tang Guohua, director of the Literature and Art Department of the Guangdong Provincial Department of Culture, Xie Liuqing, head of the Discipline Inspection Group of the Guangzhou Municipal Commission for Discipline Inspection, Li Jingyan, member of the Party Committee and director of the Guangdong Provincial Department of Justice, Wu Jialian, secretary of the Party Committee of Guangdong Provincial Vocational College, and Jie Ye, secretary of the Party Committee and director of the Guangzhou Municipal Local Taxation Bureau. Advisors of Guangdong Calligraphers Association: Lian Deng, Chen Chusheng, Ou Guangyong, Liang Dingguang, Zhou Guocheng, Zhou Shujian; Yan Yiduan, director of the China Calligraphers Association, full-time vice chairman and secretary-general of the Guangdong Calligraphers Association, Qiu Shikun, director of the China Calligraphers Association and vice chairman of the Guangdong Calligraphers Association, vice chairman of the Guangdong Calligraphers Association: Wang Zhongyong, Xu Hongji, Li Xiaoru, Chen Chunsheng, Chen Qinshuo, Zhou Hanbiao, Qi Guhua, Lan Guanghao, Cai Zhaobo; members of the presidium of the Guangdong Calligraphers Association: Wang Zhimin, Wang Daoguo, Li Qingwei, Shen Yongtai, Chen Zhiping, Ni Kuan, Huang Zhixiong, Liang Xiaozhuang; Fan Chunqi, vice chairman of the Hong Kong Branch of the China Calligraphers Association, Li Feihong, deputy secretary-general of the Guangdong Calligraphers Association, Vice-Chairman of the School of Fine Arts of Guangdong Technical Normal University Babaylan 1990 clothes drawJin Jijun, chief and master’s supervisor, and Wu Huiping, deputy director of the scientific research department of Guangzhou Academy of Fine Arts and master’s supervisor; representatives of calligraphy media include: Jiang Shoutian, member of the Academic Committee of the China Calligraphy Association and deputy editor-in-chief of Calligraphy Guide, Li Yuegui, vice chairman of the Heilongjiang Calligraphy Association and president of Youth Calligraphy Newspaper, Cai Shunong, chief reporter of the Artspaper, Zhang Xin, assistant president of the China Calligraphy Newspaper, director of the Editorial Center and editor of the China Calligraphy Newspaper, Liu Guang, editor of the China Calligraphy Newspaper, Wang Xin, director of the China Calligraphy Publishing and Media Office, Qi Yuxin, head of the Chinese Calligraphy Forum, and Che Dilin, editor-in-chief of China Calligraphy Network. Chairman and vice chairman of Calligraphy Associations in various cities and counties in the province include: Wu Xuexiang, Feng Wenqin, Yu Naigang, Zhou Jun, Feng Yongsheng, Xie Jiahua, Zhang Yulin, Zhang Wenfeng, Zhu Qiming, Song Huannan, etc.; celebrities in the social enterprise industry include: Feng Baiqiao, Chairman of the China Cross-Strait and Four Regions Cultural Exchange Association, Liu Yuhong, Vice President of Ball Group, Guan Pengcheng, Secretary of the Party Committee of Sinopec South China Company, Liang Zhongjing, Director of Jinan University, Li Shunfang, former deputy inspector of the Guangdong Provincial Department of Civil Affairs, Huang Yiping, Deputy General Manager of Guangdong Zhongjun Entrepreneurship Service Co., Ltd., Yang Xiaoling, First Vice Chairman of Leshan Hall of Kowloon, Hong Kong, Ye Jinfu, Founder of Guangdong Xingda Group Co., Ltd., Li Rirong, Chairman of Guangdong Rongji Group, etc.
Card script Zhongtang 248cm×129cm
The cultural fortune is connected with the national fortune, and the cultural tradition is connected with the national pulse.
——Xi Jinping: “Speech at the opening ceremony of the 10th National Congress of the China Federation of Literary and Art Circles and the Ninth National Congress of the Chinese Writers Association”, People’s Daily December 1, 2016
The above guests, calligraphers and scholars from all over the country, professors, students, and calligraphy enthusiasts of colleges and universities, and more than 1,000 people. Komiks 1960 witch cloth draw participated in the full-day event.
The opening ceremony was co-hosted by Yan Yiduan, director of the China Calligraphy Association, full-time vice chairman and secretary-general of the Guangdong Calligraphy Association, and Sheng Nan, a famous host of Guangdong TV. Wu Dongmin, Vice Chairman of the Chinese Calligraphy Association, Cheng Yang, Secretary of the Party Group of Guangdong Federation of Literary and Art Circles, and Zhang Guiguang, Chairman of the Guangdong Calligraphy Association, delivered speeches respectively. They all expressed warm congratulations on the successful holding of the exhibition, expressed appreciation for the content of the exhibition’s interpretation of classics, and fully affirmed Li Yuandong’s artistic attainments in calligraphy creation, poetry writing, etc.
Li Yuandong gave a thank-you speech, profoundly expounding his experience in studying General Secretary Xi’s Jin Yan and using allusions, and expressed his sincere gratitude to the times, society, teachers and good friends. Exploration on the integration of creative content and inscriptions and calligraphyWhile the concept is also expressed, it is willing to continue to work hard and unite with the likes of the same party, and make greater contributions to the development of Guangdong’s calligraphy world.
This exhibitionKomiks 1960 witch cloth draw is a link in the Guangdong Provincial Propaganda Department’s highlighting talent support and development plan. “Lingnan Spring View – Collection of Calligraphy Works by Li Yuandong’s Self-written Poetry Couplets” was published simultaneously by Lingnan Fine Arts Publishing House. Shen Peng, former chairman of the Chinese Calligraphy Association, signed “Lingnan Spring View” and General Li Qianyuan, wrote “Praise of the New Era”, Zhang Hai, former chairman of the Chinese Calligraphy Association, wrote congratulations, Chen Yongzheng, former vice chairman of the Chinese Calligraphy Association, and prefaced the works of Western Chinese writings by members of the Academic Committee of the Chinese Calligraphy Association. Guangdong TV also specially recorded a special film “Li Yuandong’s Calligraphy Art” and gave a comprehensive and multi-angle push display of this event. It can be seen that Babaylan 1990 cloth draw is a huge exhibition of works, with a clear orientation of poetry and calligraphy, which is of great inspirational significance at the moment.
There are nearly 100 works exhibited in this exhibition, including various forms, either two-meter-long books, or a simple sketch, or a casual cursive script, or a quiet Wei stele. The Komiks 1960 witch cloth draw is a comprehensive display of the allusions of General Secretary Xi Jinping’s Jin Yan, and Li Yuandong’s self-written poems and couplets that praise the spirit of the new era, show the style of the new era, and describe the magnificent rivers and mountains. This exhibition comprehensively demonstrates Li Yuandong’s unremitting exploration in interpreting classics, poetry, songs, calligraphy creation, etc.
Li Yuandong, as a well-known calligrapher in Lingnan who is active in the country, studied under Wang Chucai, Ou Guangyong, Sun Boxiang and others. Over the past 30 years, he has done a lot of effective work in calligraphy creation, talent training, public welfare and benefiting the people, and has made important contributions to Guangdong’s literary and artistic undertakings. He is a literary and artistic worker and calligrapher with outstanding comprehensive literacy in the contemporary Chinese calligraphy world.
This exhibition ends on May 5th.
Regular script 120cm×120cm
On Kang Youwei Interpretation:
A dream of the bus, and the 100-day Reform Movement will be gone to Maicheng. The lush trees are passed down through the world, and the sound of the cold year is alone.
The book of Datong has a high meaning, and the art boat conveys the retro love. Whoever discusses the light of the South China Sea? Right and wrong, merit and demerit will be clearly distinguished.