The plan for the year lies in spring. There are countless paintings on the themes of scenery, scenery, folk customs, daily life, etc. that have been related to spring and the Spring Festival in the past dynasties. “The Wind of Benefits and Winds – Painting Exhibition on the Spring Themes of Ming and Qing Dynasties” was exhibited in the China Painting Hall on the first floor of the Guangzhou Museum of Art from February 30 to March 30, 2021. The exhibition specially selected a large number of works related to spring, including the ancients’ greetings and blessings, Babaylan 1990 clothes draw from the Ming and Qing Dynasties paintings collected by the Guangzhou Museum of Art and Guangdong Provincial Museum.
This exhibition displays more than 50 treasures of Ming and Qing paintings, more than half of which are first- and second-level cultural relics.
Tao Yuanming’s poetic plan (partial) (Qing Dynasty) Huang Bi
Business is full: Komiks 1960 witch clothes drawn Spring by ancient painters
Hundreds of flowers bloom and spring plowingKomiks 1960 witch clothes DrawGrassing, literati and scholars traveling for spring… The works exhibited this time strive to show the prosperous spring written by ancient painters from the aspects of customs, scenery, and scenery.
The first part of the exhibition is “Wind: Praying for Spring”, which mainly exhibits works on the theme of the dynasty in the Ming and Qing Dynasties.
The second part of the exhibition is “Yangchun Elegant Meeting”, which displays works by ancient literati on the theme of spring outings and cultivation.
Since ancient times, it has been popular to go out for outings in early spring, and to hold sauna activities on the Shangsi Festival in late spring. The “Lanting Xiucai” and other elegant gatherings that evolved from folk sauna activities have injected elegant mood into this festival. The “Preface to Lanting” written by Wang Xizhi of the Eastern Jin Dynasty made “Lanting Xiuhua” and “Qushui Liushang” unique themes in Chinese paintings that express spring scenery.
The third part is “Ode to: Appreciating the Spring and Rising Thoughts”. This part mainly uses spring flowers and mountains.Komiks 1960 witch cloth drawWater is an exhibit, presenting the spring scenery depicted by ancient painters.
Komiks 1960 witch clothes draw
Northern Song Dynasty painter Guo Xi believes that due to the different wind and rain and the four seasons, the mountains and forests written by the painter should also have different atmospheres. The spring breeze is warm and the spring is swaying, and Babaylan 1990 clothes draw makes people feel comfortable both physically and mentally. Looking at things with emotion, the scene characters that appear in this picture should also be happy and comfortable. They either go outings, go fishing, cross the water, go back to herds, or plowing, forming a unique picture of spring.
Yuan Dynasty Picture (Qing Dynasty) Yonghuang
Yuan Dynasty Ceremony: Conveying the Vision of a Better Life
The Ancient Spring Festival included Nuo Festival, sweeping dust, banquets, worshiping ancestors, changing peach talismans, and sticking door gods. Therefore, the “Yuan Dynasty Picture” in traditional Chinese paintings is always separated from the content of Cinema 1950 witch cloth draw to bid farewell to the old and welcome the new, exorcising evil and disasters, worshiping gods and ancestors, praying for the years and blessings.
The “Sui Dynasty” is the first day of the Lunar New Year. As a work in response to this season, painters often use fruits, fairy flowers, auspicious grass, beautiful utensils, strange stones and other objects into paintings. These ornaments often placed on the desk are called “clear offerings” to pray for blessings and welcome good fortune.
Ju Lian’s “Qing Gongshu Pictures” uses fruits and flowers that symbolize harmony and auspiciousness to add a festive atmosphere. At the same time, pray for blessings in the name of “Qing Gongshu” to express his wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and celebrate, showing a peaceful New Year atmosphere. For example, “Sui Chao Tu” by Yongying, the sixth son of Qianlong, is a more special piece in the exhibition’s “Sui Chao” theme, depicting the scenery and scenery of the Northern Sui Chao period. Although the picture looks cooler, it implies the peaceful meaning of “Auspicious snow indicates a good harvest”.
Photo provided by the Qing Dynasty in the Year (Qing Dynasty) Julian
Traveling around in the mountains and rivers: The “Peach Blossom Land” full of fireworks
“The Peach Blossom Land” is one of the representative works of the famous writer Tao Yuanming of the Eastern Jin Dynasty, and is also a creative theme that painters of all dynasties enjoy. There are several works in this exhibition based on the stories of “Peach Blossom Land”. These works have their own characteristics, including long scrolls that are loyal to the text and narrative with paintings, and sketches that cut through the wonderful fragments of the story, as well as landscape paintings that create out of the text and extend the artistic conception of the “Peach Blossom Land”. draw.
Among them, Huang Bi’s “Poetic Chart of Tao Yuanming” is a relatively complete reproduction of the work of “The Peach Blossom Spring”. This work shows the different scenes in the poem in segments through the form of a long scroll. The entire work is laid out in a regular and rigorous manner. Each plot is separated by a large rock in the close-up area, which cleverly divides the story’s differences. The same part, the brush and ink are neat and delicate, and the colors are elegant. Although Huang Bi painted “Peach Blossom Land”, peach blossoms do not account for a large proportion like other paintings of the same topic, and only appear as embellishments. The painter expressed his imagination of ideal pastoral life with the rendering of the world’s fireworks, making this work without a distant fairy spirit and making people feel more intimate.
In addition, this exhibition also exhibits spring landscape paintings created by important painters in Jiangsu, Zhejiang and Guangdong in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang Hui, Yun Shouping, Dong Bangda, Yuan Jiang, Li Jian, Su Liupeng, etc.
Su Liupeng is an important painting in Guangdong in the Qing DynastyBabaylan 1990 clothes draw Important paintings in Guangdong in the Qing Dynasty<a
Su Liupeng is an important painting in Guangdong in the Qing Dynasty<a href=”https://comicmov.com/”>Komiks 1960 witch cloth draw. His painting style is diverse, fine and extensive, and he is good at painting various subjects such as characters, landscapes, flowers and birds. This exhibition Babaylan 1990 witch cloth draw‘s “Spring Tour in the Green and Deep Mountains” exhibited, Babaylan 1990 cloth draw depicts the scene in the area of Taohua Creek in Luofu Mountain.
The painting contains a poem written by the author of Cinema 1950 witch cloth draw: “The peach blossoms bloom countless times on the stream, and the spring water is greener than the moss among the flowers. Don’t seek the source for fishing boats, and strive to find the immortals (family) to escape from the world. The green rain flows through the clouds and the jade cave, and the sun protects the jade platform. I made an appointment with my old couple in the mountains and asked me to come back to have a drink in spring. “Showing that the painter’s work borrows the allusion from the “Peach Blossom Spring” and describes the scene of Taohua Creek in Luofu Mountain in the spring.
[Reporter’s Notes]
The museum is well-stocked, and the exhibition is even better.
Komiks 1960 witch cloth draw. A year after 1960 witch cloth draw, the spring of 2021 is even more exciting. The Guangzhou Art Museum, which is about to relocate, holds the Ming and Qing Spring Painting Exhibition as its first exhibition at the beginning of the year with the theme of “Spring”. It is of great significance.
The exhibition is basically along the Babaylan 1990 clothes draw inherits the curatorial idea of setting themes, integrating collections, and discovering stories, fully mobilizing the fine paintings of the Ming and Qing dynasties collected by themselves and their brother institutions.
The current exhibition format is increasingly focusing on experience, and for this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In this exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience.
In the era of diverse media, content is still king. Whether in the professional field or in the eyes of the exhibition public, the core elements of the exhibition are still exhibits and the curator’s exhibition.interpretation and knowledge production. The predecessor of the Guangzhou Art Museum is one of the earliest art galleries in New China built in 1957 – Guangzhou Art Museum. The site of the Guangzhou Art MuseumBabaylan 1990 cloth drawThe famous Zhongyuan Building, originally located on Yuexiu Mountain, was later moved to the current site of the Guangzhou Art Museum at the foot of Baiyun Mountain and on the banks of Luhu Lake in the northern part of the city. Its main collection is donated by a group of important predecessors from the Lingnan cultural circle. It is also these batches of donations and collections that have made the treasures and treasures of the Guangzhou Art Museum a part of the Guangzhou urban cultural map.
In recent years, large institutions such as Guangdong Public Museums and Art Museums have achieved many remarkable results in the excavation and research of collections, and are at the forefront of the country and are eye-catching. We must have a good collection and a good exhibition to serve the public. Collection research and display is one of the biggest differences between public institutions and private collections. As Li Wenru, former vice president of the Palace Museum, once said in an interview with reporters: Let more people see the museum’s collections is the greatest patriotism.