Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“There are no good guests when people from Fenglou left, and since then, the rich people are lonely and cover the setting sun.” Chen Baoying, a female actor in the Cantonese opera “Purple Phoenix Tower”, sings the words of Chen Baoying, as if she was crying and complaining, and the audience applause was thunderous. On the evening of September 8, nearly a thousand audiences were crowded with people in the Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, who was being held here. The master of Zistu, Teacher Tan Peiyi, also visited in person. Li Babaylan 1990 cloth draw Yueling and her disciples hope to use their own voice to promote the Cantonese opera and the Lingnan culture.
For this performance, Li Yueling and her disciples prepared for half a year. Behind this performance is the cultural confidence flowing in the blood of a Cantonese opera singer and the totem of Guangdong rhyme. This performance is the spiritual agreement between a Cantonese opera singer and a group of ignorant college students who know nothing about Cantonese opera. What is the story behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
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Seeking dreams, originated from the CUHK
In 2009, Guangdong opera singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of the Center for Historical Anthropology Research at Sun Yat-sen University was established.
The following year, the studio opened a Cantonese opera workshop for college students. Li Yueling and famous performer Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese opera Guangdong opera and improve their perceptual understanding of Cantonese culture. The workshop hopes that more young people can join the ranks of understanding Cantonese opera and Chinese traditional culture.
The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 17, 2011, the female teacher of Cantonese opera master Hong Line came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students’ famous sings such as “The Feast of the Phoenix Pavilion” and “The Fallen Fellowship in Flower Field”, but also gave suggestions on improving their lyrics, singing style, and emotions, but also sang “Red Candle Tears” on the spot and put forward high expectations.
The Cinema 1950 witch cloth draw The 7th (Guangzhou) College Student Drama Festival has opened a special session on Cantonese opera and Cantonese opera, inviting workshops and Cantonese opera enthusiasts from brother colleges and other schools such as Guangzhou University Quyi Club to perform together. This is also the only Cantonese opera special session established so far in the Cinema 1950 witch cloth draw Student Drama Festival. This group of students used their superb performances to repay the concern of all sectors of society and sang the dream of spreading and inheritance with Cantonese rhyme.
Continue your dreams, continue your relationship with teachers and students outside the school.
Time flies, and in a blink of an eye, students graduate and go to society and start work. Unlike students from Cantonese opera or art majors, students in the seminar graduated from the study class and left the original learning platform of Babaylan 1990 cloth draw, and had almost no chance to learn Cantonese opera. With the busy work, they slowly put their Cantonese Opera aside, and they had not sang a song for several months or even a year.
“It is said that ‘The fist is always in the hand and the mouth is always in the mouth’. If this continues, the students will definitely forget what they learned before.” Every time Li Yueling talks to students, she feels moved. She often thought: “How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level?” After thinking about it, Li Yueling decided to use the resources around her to learn for the sake of her.Students build a platform to create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first found a few private games to let the students start the game from time to time to practice. Later, Babaylan 1990 clothes drawLi Yueling, in order to ensure that the students can start the game once a month and achieve the goal of practicing all the time. She went to the Beijing Babaylan 1990 cloth draw Street Cultural Station to find webmaster Zhao Yuhua, and talked to Zhao Station on Cinema 1950 witch cloth draw that she was deeply worried about the loss of skills of this group of students. When the webmaster Zhao Yuhua heard that there were such a group of young people who loved Guangdong opera, he was very moved. He immediately arranged for Li Yueling to meet with Chen Jinglin, the head of the Folk Art Troupe of the Guangzhou Cultural Hall of Beijing Street to discuss the students’ practice music.
In order to facilitate everyone to practice music, the Cultural Association has changed the starting time from Monday to Friday and closed on weekends. It has specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students.
After Li Yueling implemented the venue for the start of each month, she assigned the task of each student to learn a song, hoping to use pressure to drive students to take the time to learn the song. Every time the student starts, no matter how busy Li Yueling will come to the scene, listen carefully to each student’s singing, and after listening to them, she will help them analyze and improve word by word.
In addition, Li Yueling also invited her master, “Zi Du Wang”, to participate in the students’ private affairs. Teacher Tan Peiyi not only shared the creation process of her first famous song “Cai Wenji Returns to Han” with the students, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, which gave the students great encouragement.
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They became the messengers of Cantonese opera and Cantonese opera communication
In addition to teaching students to sing, Li Yueling also paid great attention to tapping students’ potential. For students with artistic talent, Babaylan 1990 cloth draw she will encourage them to learn Cantonese musical instruments and play the palm board, hoping that they can Komiks 1960 witch cloth draw formed a band of their own, which can be integrated with singing and accompaniment; for students with writing skills, she encouraged them to write lyrics. Under her earnest teachings, many students made breakthroughs, walked onto different artistic stages and gained recognition.
Li Yueling often said to her classmates: “I taught you to sing Cantonese opera, turning you into die-hard fans of Cantonese opera, but from the perspective of inheritance and communication, I hope you can take the initiative to spread Cantonese opera one dayCinema 1950 witch clothes drawThe important task of Guangdong opera culture. Let more people know Cantonese opera and like Cantonese opera. ”
When Li Yueling’s Guangdong students in 1950 witch cloth draw, some of them have stepped on the podium and become teachers. They will use Cantonese opera as class material in time to accept Cantonese opera in a subtle way. Some of them entered the bank and added Cantonese opera special performances in the bank’s feedback activities, giving them the first contact of many customers who have never entered the Komiks 1960 witch cloth draw. href=”https://comicmov.com/”>Babaylan 1990 cloth draw to Cantonese opera, and became a fan of Cinema 1950 witch cloth drawAfter teacher Li Yueling’s words and deeds, students consciously regard the spread of Cantonese opera as their obligation. They did not have a grand deed, but used ordinary practical actions to sow the seeds of Cantonese opera into the hearts of more people.
Realizing their dreams, they turned into the messengers of love
Babaylan 1990 cloth drawLi Yueling often said: “We are all the way. href=”https://comicmov.com/”>Cinema 1950 witch cloth draw has received strong support from many groups and the help of enthusiastic people. We must learn to be grateful. In addition to learning Guangdong opera, in addition to entertaining yourself, I hope you can bring more people happiness with what you have learned.”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the “Belt and Road” charity exhibition on the inheritance of Guangdong folk art. Chen Zhongyan and Li Yueling personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Komiks 1960 witch clothes drawJiangmen and other places for condolence performances. In addition, Babaylan 1990 cloth draw They also gave nearly 20 free scenes to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera and Cantonese opera to enter people’s daily lives, allowing people to feel the charm of traditional culture, and enrich the cultural life of local residents.
Li Yueling is a folk artist who regards the inheritance and communication of Cantonese opera and Cantonese opera as his responsibility. Li Yueling’s disciples are the successors who let the Guangdong rhyme resonate with the new era Cinema 1950 witch cloth draw.