The plan for the year lies in spring. The paintings on the themes of landscapes, scenery, folk customs, daily life and other related to spring and the Spring Festival in the past dynasties are numerous. The “Hui Feng HechangKomiks——Painting Exhibition on Spring Themes of Ming and Qing Dynasties” were exhibited at the China Painting Pavilion on the first floor of the Guangzhou Museum of Art from December 30, 2020 to March 30, 2021. The exhibition specially selected a large number of works related to spring, including the ancients’ themes of welcoming spring blessings, yelling spring elegant meetings, and enjoying spring happiness from the Ming and Qing Dynasties paintings collected by Guangzhou Art Museum and Guangdong Provincial Museum.
CinemaThis exhibition exhibited more than 50 rare paintings in the Ming and Qing Dynasties, more than half of which are first- and second-level cultural relics.
Tao Yuanming’s poetic concept (partial) (Qing Dynasty) Huang Bi
Business is abundant: the spring written by ancient painters
Hundreds of flowers are in full bloom, spring farming and grazing, and the spring gathering of literati and scholars… The works exhibited this time strive to show the spring written by ancient painters in terms of customs, scenery, and other aspects.
The first part of the exhibition is “Wind: Praying for Spring”, which mainly exhibits works on the theme of the dynasty in the Ming and Qing Dynasties. The second part of the exhibition is “Ying Chun Elegant Meeting”, which displays works of ancient literati traveling and cultivating the spring.
Since ancient times, it has been popular to go out for outings in early spring, and to hold sauna activities on the Shangsi Festival in late spring. The “Lanting Xiucai” and other elegant gatherings that evolved from folk sauna activities have injected elegant mood into this festival. Wang Xizhi of the Eastern Jin Dynasty Babaylan‘s “Preface to Lanting” made “Lanting Xiuhua” and “Qushui Liushang” unique themes in Chinese paintings to express spring scenery.
The third part is “Ode to: Appreciating the Spring and Rising Thoughts”. This part mainly uses spring flowers and landscapes as exhibits to present the spring scenery depicted by ancient painters./”>Komiks.
Guo Xi, a painter in the Northern Song Dynasty, believes that due to the bright and dark wind and rain, the mountains and forests written by the painter should also have different weather. The spring breeze is warm and the spring light is swaying, which makes people feel comfortable. Looking at things with emotion, the scenes that appear in this picture should also be happy and harmonious. They either go out for an outing, fishing, cross the water, return to pastoralism, or farm and hoe, forming a unique picture of spring.
Sui Chao Paint (Qing Dynasty) Yonghuang
Sui Chao Qing Dynasty: Convey the vision of a better life
The ancient Spring Festival included Nuo sacrifices, dust sweeping, banquets, ancestor worship, peach talismans, and door gods. Therefore, the “Sui Chao Paint” in traditional Chinese paintings is inseparable from bidding farewell to the old and welcoming the new and exorcising evil spirits. href=”https://comicmov.com/”>BabaylanEliminate disasters, worship gods and ancestors, pray for good fortune, etc.
“Sui Dynasty” is the first day of the Lunar New Year. Komiks is the work of this time of time. Painters often use fruits, flowers, fairy flowers, auspicious grass, beautiful utensils, and strange stones into paintings. These ornaments often placed on the desk are called “clear offerings” to pray for blessings and welcome good fortune.
Ju Lian’s “Sui” href=”https://comicmov.com/”>KomiksQingqing Pictures” use fruits and flowers that symbolize harmony and auspiciousness to add a festive atmosphere. At the same time, Cinema prays for blessings in the name of “Qingqing” to express wishes for a better life.
There are also pictures of the ancients who bid farewell to the old and welcome the new, celebrate and worship, showing a peaceful New Year atmosphere. For example, the sixth son of Qianlong, Yongfeng<a "The Sui Dynasty Picture" by Cinema is one of the more special works in the exhibition "Sui Dynasty" theme, depicting the scenery and scenery of the Sui Dynasty in the northern Sui Dynasty. Although the picture looks colder, it implies "Auspicious snow indicates a good harvest".The peaceful meaning of ”Komiks.
Photo provided by the Qing Dynasty in the Year (Qing Dynasty) Julian
Traveling around in the mountains and rivers: the “Peach Blossom Land” full of fireworks
“The Peach Blossom Land” is one of the representative works of the famous writer Tao Yuanming of the Eastern Jin Dynasty, and it is also a creative theme that painters of all dynasties enjoy. There are several works in this exhibition based on the story of “Peach Blossom Land”. These works have their own characteristics, including loyalty to the text and narration through paintings. href=”https://comicmov.com/”>Komiks‘s long scroll, there are also sketches that capture exciting clips from the story, and there are also skipping Komiks creates landscape paintings that extend the artistic conception of “Peach Blossom Land”. Among them, Huang Bi’s “Poetic Picture of Tao Yuanming” is a relatively complete reproduction of the work of “Peach Blossom Land”. This work shows different scenes in the poem in segments through the form of a long scroll. The layout of the whole work is regular and rigorous. Each plot is separated by a large rock in the close-up scene, cleverly divides different parts of the story. The brushwork is neat and delicate, and the colors are elegant. Although Huang Bi painted “Peach Blossom Land”, peach blossoms do not account for a large proportion like other paintings of the same title, and only appear as embellishments. The painter expresses his imagination of ideal pastoral life with the rendering of the fireworks of the world, making this workBabaylanThere is no unattainable Cinema‘s fairy spirit, making people feel more intimate.
In addition, this exhibition also exhibits spring landscape paintings created by important painters in Jiangsu, Zhejiang and Guangdong in the Qing Dynasty. Such as Zhang Chong, Qi Fengjia, Huang Bi, Wang Hui, Yun Shouping, Dong Bangda, Yuan Jiang, Li Jian, Su Liupeng, etc.
Su Liupeng was an important painter in Guangdong in the Qing Dynasty. His painting styles are diverse, fine and extensive, and he is good at painting various subjects such as figures, landscapes, flowers and birds. The “Spring Picture of the Green and Green Deep Mountains” exhibited in this exhibition depicts the scene of the Taohua Creek in Luofu Mountain.
The author wrote a poem on the painting: “The peach blossoms bloom countless times on the stream, and the spring water among the flowers is greener than the moss. Don’t seek the source because of fishing boats, and try to know the immortals (family) and avoid the world. The green rain flows through the clouds and the jade cave, and the sun protects the jade platform. I made an appointment with my old couple in the mountains and asked me to come back to have a drink in spring. “Say that the painter borrows this work”The allusion in “The Peach Blossom Land” describes the scene of the Taohua Creek area in Luofu Mountain in spring, like a paradise.
【Reporter’s Notes】
The museum is well collected, and the exhibition is even better
After an extraordinary year, the spring of 2021 is even more exciting. The Guangzhou Art Museum, which is about to relocate, holds the Ming and Qing Spring Painting Exhibition as its first exhibition at the beginning of the year with the theme of “Spring”, which is of great significance.
The exhibition basically follows the curatorial ideas of setting themes, integrating collections, and exploring stories, and fully mobilizes the Ming and Qing Dynasties collections in its own and brother institutions. href=”https://comicmov.com/”>Komiks‘s paintings.
The current exhibition format is increasingly focusing on experience. For this reason, major institutions have spent a lot of effort and effort on the layout of the exhibition. In this exhibition, the organizer intends to set up various forms of presentation effects in the exhibition hall to enhance the audience’s exhibition experience.
In the era of diverse media, content is still king. Whether in the professional field or in the eyes of the exhibition public, the core of the exhibition is <a The elements of Cinema are still the exposition and the curator's interpretation and knowledge production of exhibits.
The predecessor of the Guangzhou Art Museum was one of the earliest art museums in New China in 1957, the Guangzhou Art Museum. The site of the Guangzhou Art Museum was originally located in the Zhongyuan Building, a famous building on Yuexiu Mountain. Later, it was moved to the current site of the Guangzhou Art Museum at the foot of Baiyun Mountain and on the banks of Luhu Lake in the north of the city. Its main collection was donated by a group of important predecessors from the Lingnan cultural circle, which was also this. href=”https://comicmov.com/”>Cinema batch donation and collection have made the Guangzhou Art Museum’s collection of treasures and treasures, becoming an indispensable corner of Guangzhou’s urban cultural map.
In recent years, large institutions such as Guangdong Public Museum and Art Museum have achieved many remarkable results in excavation and research in collections, and are at the forefront of the country and are eye-catching. We must have good collections and good exhibitions to serve the public. Collection research and exhibitions are one of the biggest differences between public institutions’ collections and private collections. Just as Li Wenru, former vice president of the Palace Museum, once interviewed by a reporter. What Babaylan said at the time: Let more people see the museum’s collections is the greatest patriotism.