Li Yuandong was born in August 1964, a famous person in Mao, Guangdong. He is currently the president of Guangdong Calligraphy Court, a national first-class artist, a representative of the Ninth and Tenth National Congress of the Chinese Art Federation, a director of the Chinese Calligraphers Association, a member of the 4th China Calligraphers Association, a member of the 5th, 6th and 7th running script professional committee of the Chinese Calligraphers Association, a member of the Chinese Poetry Society, a member of the Chinese Couplet Society, a member of the Ninth, Tenth, Eleventh and Twelfth Committee of the Guangdong CPPCC, a member of the Literature and History Committee of the Guangdong CPPCC, a librarian of the Guangdong Museum of Literature and History, and a vice chairman of the Guangdong Calligraphers Association. He was appointed as a visiting professor and graduate supervisor of many universities such as Guangzhou Academy of Fine Arts, Jinan University, Guangdong Technical Normal University, and Guangzhou University.
Cinema’s calligraphy works won the second prize in the first national running and cursive script exhibition, and the sixth national calligraphy and seal carving exhibition of middle-aged and middle-aged calligraphy and seal carving exhibition; they entered the fifth, sixth, seventh and eighth national calligraphy exhibition, the seventh and eighth national calligraphy and seal carving exhibition of middle-aged and young middle-aged calligraphy and seal carving exhibition, the “Hongpin Massive” contemporary masters’ writing beautiful Chinese calligraphy, the “National Backbone” celebrated the victory of the 19th National Congress of the Communist Party of China held a national calligraphy exhibition, the famous contemporary calligraphy masters’ system engineering·National href=”https://comicmov.com/”>Babaylan Five Hundred Calligraphy Quality Exhibition, Contemporary Chinese Running Calligraphy Masters’ Works Exhibition, and the Second “Weng Tong Award” Calligraphy Works Exhibition; invited to participate in the third national calligraphy critic nomination exhibition, the “Ten Running and Cursive Exhibition” national series exhibition, and the National Nomination Exhibition of Famous Running Calligraphy Masters’ Nomination Exhibition, etc., and has been the review of various series of calligraphy exhibition competitions organized by the Chinese Calligraphers Association, the fifth national couplet calligraphy exhibition, the “Lady Xian Award” of the National Calligraphy Art Competition, the first national elderly calligraphy exhibition, the third national calligraphy fan exhibition, the “China Burial Crane Award” national calligraphy works exhibition, the second national album calligraphy exhibition, and the fourth national cursive calligraphy exhibition.
In September 2014, the “Traveling Eyes” Li Yuandong’s Calligraphy Art Exhibition was successfully held. He was named the leading talent in Guangdong Province’s propaganda, ideology and culture in 2015. He was elected as the “Top Ten Figures of the Year of Chinese Calligraphy Cross-Century 2011”. He won the “Lanting Zizi Award” (one of the Three Nationals in the Country), the “Contribution Award for Commemorating the 30th Anniversary of the Founding of the Chinese Calligraphers Association”, and the “National May Day Culture Award”, Guangdong Federation of Returned Overseas Chinese 2009 “Outstanding Contribution Award”, Guangdong Federation of Returned Overseas Chinese 2010 “Outstanding Organization Award”, Guangdong Lu Xun Literature and Art Award, etc.
Enjoy the public welfare of calligraphy, cultivate calligraphy talents, and actively participate in volunteer service activities. In recent years, we have donated calligraphy works to more than 20 social charities and groups, raising more than 20 million yuan, and donated them all to charity; organized and planned calligraphy talent training and calligraphy on campus charity activities, organized and planned more than 30 national calligraphy sprint classes and short-term training classes, the sixth session of the Guangdong Calligraphy Academy Calligraphy Advanced Study Class, five sub-teaching points for the Guangdong Calligraphy Academy Calligraphy Advanced Study Class (Shantou, Meizhou, Zhuhai, Maoming, Qingyuan), and the first calligraphy tutor class in the East Calligraphy World, etc., and trained more than 3,000 Lingnan calligraphy talents, with remarkable results; organized calligraphers, calligraphy professors, doctoral students, masters and other students to visit university, middle school and primary schools for more than 100 times.
As a representative of calligraphy artists who exchanged foreign countries, he went to the eight European countries, Australia, the United States, the United Nations headquarters, Sri Lanka, Mauritius, South Africa, Canada, Japan, South Korea, Denmark, Germany and other places to attend calligraphy exchanges and promotion activities and give special lectures on calligraphy art; published the “Contemporary Calligrapher Series – Li Yuandong’s Calligraphy Collection” in total, with five personal monographs; Guangdong TV, Hong Kong Asia TV, and Maoming TV respectively recorded special interview programs such as “Cultural Pearl River • Spring Breeze and Rain – Calligrapher Li Yuandong”, “Diligent Calligraphy Art and Mellow – Li Yuandong’s Art of Art”, “The Permanent Sees the Heart – Li Yuandong’s Calligraphy Art”, and “Li Yuandong’s Life in a Foreign Land” and broadcast themed.
Regular script screen 236cm×52cm×4
Remembering Teacher Wang Chucai
Explanation:
Showing the poems of Lingnan, the peach and plum trees in the spring, and the withered vines and ancient trees are innocent.
A life of knowledge is still far away, but the calligraphy world has not yet been revealed for 30 years.
Able to understand the wonders of Binhong’s mountains and rivers, and to be good at Mr. RuanBabaylan‘s temperament.
Specialize in studying and devote yourself to fame and fortune, and your art is vast and chaotic.
Shen Yi Junxiong, Strong and Honest
——A Brief Introduction to Mr. Li Yuandong’s Calligraphy Art
Western Chinese
Mr. Li Yuandong is one of the famous contemporary masters I have always paid attention to. There are two reasons for paying attention to him: one is the direction and pattern he represents in contemporary Weibei innovation; the other is his achievements and height in big-brand creation.
The stele was flourished since the Qing Dynasty and was vigorously promoted by Kang Youwei and others. It has flourished for more than a hundred years and has emerged in many famous masters. From Zhao Zhiqian to Sha MenghaiFrom Zhang Yuzhao to Li Shutong, there are diverse styles and unique styles. It has become a major calligraphy art school that is invincible to the calligraphy of calligraphy, which also shows that the stele studies do have inexhaustible artistic resources. However, since the late century, epigraphy has seemed to be silent, with few great masters and new styles being released. In the past forty years, the calligraphy name is Revival. However, compared with the enthusiasm of calligraphy and the achievements made in seal and clerical studies, there is not much new inspiration in stele studies, and there is less creation in copying. Only Mr. Sun Boxiang can be regarded as the one who has established himself in the world. The most accomplished calligrapher of his successor is Mr. Li Yuandong.
Mr. Li Yuandong inherited his teacher and used “Shiping Gong” and “Zhang Menglong” as the basis, and used the clumsy and thick square brush as the style tone to express a melancholy charm. This is a distance from the Weibei masters since the Qing Dynasty, such as Zhang Yuzhao, Zhao Zhiqian, Wu Changshuo, Kang Youwei and others. But Li Yuandong showed his own characteristics on the basis of his master. There are mainly three aspects:
First, Li Yuandong’s approach is not limited to “Zhang Menglong” and “Shiping Gong”. It is not difficult to see that he has also practiced many Northern Wei tombstones and calligraphy of scriptures. The diversity of learning makes his brushwork richer. The use of the pen is based on the square pen and some elements of the round pen are added. Reduce the severity of the pen with the side tip and increase the harmony of the pen with the center tip, making the lines in his pen heavier and richer tension and connotation. Although this is also reflected in Sun Bolao’s writing, Li Yuandong is obviously more conscious, bolder, and more effective. Cinema
Cursive script strip screen 180cm×45cm×2
Looking from the horizontal, it looks like a ridge and a side, with different heights and heights.
I don’t know the true face of Mount Lu because I am in this mountain.
——The words come from Su Shi’s “Inscription on the West Lin Wall”, which Xi Jinping quoted in articles such as “Escape from Poverty, The Light of Eastern Fujian – A Brief Thought on Cultural Construction in Eastern Fujian”
Second, Li Yuandong’s Wei stele is unconventional, lively and lively, with no changes, showing a clear tendency to be in running script. The aesthetics of contemporary calligraphy are influenced by many aspects, showing a trend of breaking traditional barriers and integrating various styles into reference. For example, the cursive transformation of seal script and clerical scripts, etc. The Wei steles in history are for practical needs and are all regular script. How to integrate this style of calligraphy with other styles such as cursive script is an important topic facing contemporary calligraphers. Looking at the contemporary calligraphy world, many people have made useful explorations in this regard, and Li Yuandong is one of them. It is worthy of praise that Far East can accurately grasp direction and measurement with its profound skills and keen insight. Therefore, although his Wei stele has a strong sense of cursive style, it makes people feel just right and will never lose the characteristics of Wei stele.
Third, Weibei calligraphy in the Far EastKomiks has a very distinct personality. This fully reflects the artistic concept of Far East using calligraphy to write the heart. Although Far East has profound skills, his calligraphy creation does not have the twists and pretentiousness to deliberately express his skills, but a kind of freedom to express his mind and hands, and forget both things and me. Everything is like flowing clouds and water, and it will naturally come naturally. This is a very high state.
Mr. Xuyu proposed the concept of “Jin Kai” a few years ago. What is Jin Kai? Of course, everyone will have different understandings. But I think using regular script to promote personality and subjective spirit should undoubtedly be the main meaning of Jin Kai. I think Mr. Li Yuandong’s Weibei calligraphy can be said to be a style of Jin Kai!
Since the revival of calligraphy, cursive script has achieved great achievements, with many famous artists and diverse styles. Especially the cursive script, known as the “crowned pearl of calligraphy art”, are many outstanding masters. There are two examples of cursive script: one way is Zhang Xu as the leader, with rich pen lifting and pressing, and a big opening and closing; one way is Huaisu as his teacher, purely paving with lines, href=”https://comicmov.com/”>Cinema The center leader. Huaisu has many criticisms along the way, saying that it is “someone who has passed away”. However, Zhang Xu has rarely criticized him all the way. What is a little regretful is that most people who write big scripts in contemporary times are the patriarch Huaisu, while fewer people who follow Zhang Xu are the most difficult, because Zhang Xu is the most difficult. Mr. Li Yuandong’s big scripts belong to Zhang Xu all the way, and Sun Guo is the same. Ting, Huang Tingjian, and Wang Duo sometimes use square brushes of Wei steles, so their cursive writing is very rich. Looking at his works, they are full of wild and unruly spirit of Dionysia, but their use of the brush is meticulous, and every stroke is in place, without any vagueness. Mr. Liu Zhengcheng said that the cursive writing in the Far East is between Wang Duo and Yu Youren. This evaluation makes sense. It can be said that his cursive writing is as strong as Wang Duo, and his pen is as steady and solid as Yu Youren.
Cursive Shop Central Hall 220cm×100cm
Morning Writing Like Songs·Ten Years of the Exhibition of Running and Cursive Scholars (Bingshen and Fuzhou Exhibition)
Explanation:
Meeting with Eight Min (East Yue) and singing together, and the same boat in the same boat for ten years.
Reflecting the snow and carrying firewood and writing to the guests, and reading the art path with the sunny rain.
Sweeping the dust and loving the fragrance can hardly be broken, but I have been holding the reputation and dreams for a long time.
Write the pen and the piano need to (method) ancient times, and the love is connected to the sea and the dawn year by year.
Wei steles and big herbs are originally two different styles of calligraphy. The difficulty can be imagined to combine the two. But Mr. Far East advanced to see the difficulties and successfully combined the two, and the style is very unified. The Wei steles have obvious grass-like characteristics, lively and lively; while the large grass uses a pen that is so majestic, like painting sand in the cone, and has a strong Wei stele interest. The combination of the two is so perfect and natural, which is related to the character of Far East. Truthfulness, simplicity and generousness are the two prominent characteristics of Far East personality. In his works, it is manifested as being simple and clumsy.A unique and unique style that is thick, bold and elegant.
Mr. Li Yuandong is by no means a craftsman calligrapher who can only write (although there are many such calligraphers at present). He has a very deep traditional cultural foundation. Far East sent me his ancient poem “ask for advice”, and I was very surprised after reading it. His poems not only have lofty ideas and fresh styles, but also have very strict rhythms and very standardized rhymes. What is particularly commendable is that the lyrics and sentences of the Babaylan poem are elegant and novel, and they are also very appropriate and precise in their use of allusions. They are considered to be the best among contemporary calligraphers. For well-known reasons, people of the age of Li Yuandong have received less traditional education. Many famous calligraphers, even calligraphers who are well-known for their academics, show their timidity when writing ancient poems. And being able to achieve such achievements in the Far East must be the result of hard work and self-study. I once said: Chinese characters and traditional culture are the two cornerstones of calligraphy art, and if a calligrapher is missing, he will not be a qualified calligrapher. We are delighted to see that Mr. Li Yuandong has reached a good level in both aspects. Appreciating his calligraphy and evaluating his poems can’t help but be amazed by the contemporary calligraphy world that has reached such a height!
Mr. Li Yuandong is not only an outstanding calligrapher, but also an excellent calligraphy organization worker. He has been in charge of the Guangdong Calligraphy Court for many years and has initiated and organized many large-scale calligraphy activities with wide influence across the country, which has received unanimous praise from the national calligraphy community. At the same time, he has repeatedly invited contemporary famous artists to Guangdong to give lectures and preach, bringing the latest calligraphy information, academic dynamics and aesthetic concepts to Guangdong, benefiting Guangdong authors a lot, thus promoting the cultivation of Guangdong’s calligraphy talents and the development of calligraphy career. At the same time, Far East is also enthusiastic about public welfare and actively participates in and promotes the cause of calligraphy serving the society. Using calligraphy as a medium to make good friends, Guangdong’s calligraphy charity has made it popular, thus winning widespread respect from society.
Liu Xizai’s “Book Summary” says: “High rhymes and deep affection, strong and noble spirit, and one cannot be written in a book without any lack.” He also said: “The books of wise men are warm and mellow, the books of heroes are calm and determined, the books of dissatisfied scholars are successful, and the books of talented men are beautiful.” The books of Far East are both talented and noble and noble, and they are exquisite and noble. With its unique personality, it stands out in the contemporary book forest!
Screen Script Screen 138cm×69cm×8
Don’t praise the good color, just leave the clear air to fill the world. ——The words come from Wang Mian’s “Ink Plum”, Xi Jinping quoted in his speech meeting with Chinese and foreign journalists by the Standing Committee of the 19th CPC Central Committee. Cinema Standing Committee Members of the Political Bureau of the 19th CPC Central Committee and Chinese and foreign journalists
The seminar on “The New Era of Hymns and the Spring View of Lingnan – Li Yuandong’s Calligraphy Art Exhibition” was successfully held
This newspaper reported that on the morning of April 29, 2018, the Propaganda Department of the Guangdong Provincial Committee of the Communist Party of China and the Guangdong Provincial Committee of the Chinese People’s Political Consultative Conference was successfully held.https://comicmov.com/”>KomiksThe History Committee is the guiding unit, hosted by the Guangdong Federation of Literary and Art Circles, the Exhibition Department of the Chinese Calligraphers Association, the Calligraphy and Seal Academy of China National Academy of Painting, and the Guangdong Art Museum, and hosted by the Guangdong Calligraphy Association and the Guangdong Calligraphy Court; the seminar on “New Era of Songs and Spring Views of Lingnan – Li Yuandong Calligraphy Art Works Exhibition” supported by the media was held in Guangzhou.
Under the auspiciousness of Zhang Guiguang, chairman of the Guangdong Calligraphy Association, the exhibition and seminar were successfully held. More than 30 famous calligraphers, calligraphy theorists and calligraphy critics from all over the country, Wu Dongmin, Song Huaping, Mao Guodian, Liu Jinkai, Wang Chunxin, Zhang Xuguang, Zhou Junjie, Jiang Shoutian, Zhang Guiguang, Zhou Wenzhang, Zhang Ge, Yan Yiduan, Ou Guangyong, Lian Deng, Cai Shunong, Qi Gang, Li Shijun, Qiu Shikun, Qi Guhua, Wu Xue, Zhang Weidong, Wang Houxiang, Ni Wenhua, Fu Yacheng, Liu Yantao, Luo Yiqun, Wang Zhongyong, Chen Zhiping, Wang Zhimin, Lin Feng, Li Yuegui, Li Qingwei, Xu Hongji, Fan Chunqi, Jin Jijun, Chen Kai, ZhengBabaylanRong Ming and other experts expressed their insights, rich topics and enthusiastic speeches. The experts conducted in-depth discussions on the theme and content of the exhibition – General Secretary Xi Jinping’s allusions – Li Yuandong’s own writing and poems written by himself. The guests unanimously believed that the theme of the exhibition was in line with the theme of the times and was an important attempt to practice the spirit of General Secretary Xi’s literary and artistic speeches; Li Yuandong used the calligraphy creation concept of the inscriptions and the integration of inscriptions and calligraphy, and the academic topics such as “Northern Stele and Southern Stele” caused by this, provided new inspiration for the creation of the calligraphy world in Lingnan and even the whole country.
Scene of the seminar
“Hymns of the New Era and the Spring Look of Lingnan- Li Yuandong’s calligraphy art exhibition” was grandly opened at the Guangdong Art Museum of Art
Guangdong News
This newspaper On the afternoon of April 29, 2018, the “New Era Song and Spring Look-On the Literary and Painting Exhibition” supported by the Publicity Department of the Guangdong Provincial Committee of the Communist Party of China and the Literary and History Committee of the Guangdong Provincial Committee of the Chinese People’s Political Consultative Conference, the Exhibition Department of the Guangdong Federation of Literary and Art Circles, the Exhibition Department of the Chinese Calligraphers Association, the Calligraphy and Seal Carving Academy of the National Academy of Painting, and the Guangdong Calligraphy Academy as the organizers; the opening ceremony of the “New Era Song and the Spring Look of Lingnan – Li Yuandong Calligraphy Art Exhibition” supported by the media was successfully held at the Guangdong Art Museum.
Li Yuandong’s thanks speech at the opening ceremony
The important leaders and guests attending this event include: former commander and general of Lanzhou Military Region Li Qianyuan, former vice president of the National Academy of Administration and director of the Chinese Calligraphers Association, Deng Weilong, former deputy director of the Guangdong Provincial People’s Congress and chairman of the Guangdong Federation of Trade Unions, former deputy commander of the Guangzhou Military Region (lieutenant general) Ouyang Jingu, former deputy commander of the Southern Theater Command, Zhou Weimin, former deputy commander of the Guangzhou Air Force, Liang Suiqun, former director of the Chinese Calligraphers Association and former commander of a certain armed police corps, Wang Chunxin, former deputy political commissar (major general) Zhang Zhonghui, former deputy political commissar (major general) of the Guangdong Military Region, Dai Huan, former deputy director of the Guangzhou Military Region Political Department (major general) Xiong Yan, former director of the teaching and research department of the National Defense University and doctoral supervisor (major general) Yang Zhaoguo, former director of the Military Mobilization Department of the Guangzhou Military Region Command, etc.
The guests outside the province include: Mao Guodian, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Jiangxi Calligraphy Association, Wu Dongmin, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Hainan Calligraphy Association, Liu Jinkai, Vice Chairman of the Chinese Calligraphy Association and Chairman of the Hebei Calligraphy Association, Song Huaping, Vice Chairman of the Chinese Calligraphy Association and Vice Chairman of the Henan Federation of Literary and Art Circles, Li Shijun, Director of the Chinese Calligraphy Association and Chairman of the China Calligraphy Media Group, Zhang Xuguang, Director of the Chinese Calligraphy Association and former Deputy Secretary-General of the Chinese Artists Association, Zhou Junjie, former Director of the Chinese Calligraphy Association and former Deputy Director of the Academic Committee of the Chinese Calligraphy Association, Wu Xue, Director of the Chinese Calligraphy Association and Chairman of the Anhui Federation of Literary and Art Circles, Liu Wenhua, Director of the Chinese Calligraphy Association and Director of the Chinese Calligraphy Association, Director of the Chinese Calligraphy Association and Director of the Heilongjiang Calligraphy Association href=”https://comicmov.com/”>BabaylanXi Zhangge, director of the China Calligraphy Association, deputy director of the Running Script Committee, and chairman of the Chongqing Calligraphy Association, Wang Houxiang, director of the China Calligraphy Association and member of the Cursive Script Committee, Liu Jingwen, member of the Running Script Committee of the China Calligraphy Association, Fu Yacheng, member of the Seal Script Committee of the China Calligraphy Association and visiting researcher of the China Character Museum, and Liu Yantao, member of the Seal Script Committee of the China Calligraphy Association.
The guests in the province include: Jiang Haiyan, former deputy secretary-general of the Guangdong Provincial Government, Wang Yiyang, director of the Guangdong Provincial Department of Culture, Cheng Yang, director of the China Calligraphy Association and secretary of the Party Group of the Guangdong Federation of Literary and Art Circles, Bai Jie, secretary of the Party Group and director of the Guangdong Provincial Radio, Television, Press and Publication Bureau, Liu Sifen, former chairman of the Guangdong Federation of Literary and Art Circles, Xu Qinsong, vice chairman of the China Artists Association and chairman of the Guangdong Federation of Literary and Art Circles, Fang Jianhong, director of the Guangdong Provincial CPPCC Literary and History Committee, Wang Shaoqiang, director of the Guangdong Artists Association and vice chairman of the Guangdong Artists Association, Lao Wenhao, former deputy director of the Organization Department of the Guangdong Provincial Party Committee, Wang Guichen, former deputy director of the Guangdong Provincial Museum and famous scholar expert, Chen Yongzheng, former vice chairman of the China Calligraphy Association and honorary president of the Guangdong Calligraphy Court, Chairman of the Guangdong Calligraphy Association and South China Normal University href=”https://comicmov.com/”>Cinema Professor and PhD supervisor Zhang Guiguang, Chairman of Guangdong Art Association and Dean of Guangzhou Academy of Fine Arts, Zheng Xiancao, Deputy Director of Guangdong Provincial Department of Finance, Zhang Ruwen, former Deputy Director of Guangdong Provincial Department of Civil Affairs, GuangzhouZhou Jun, deputy director of the Organization Department of the Prefecture Municipal Party Committee, Chen Zhongqiu, former secretary of the Party Group of the Guangdong Federation of Literary and Art Circles, Qiu Kejun, deputy secretary of the Party Group of the Guangdong Federation of Literary and Art Circles, Lin Weijian, former president of the Guangdong Socialist College, Tian Feng, former chairman of the Guangdong Federation of Social Sciences and director of the Provincial Committee of the Chinese People’s Political Consultative Conference, Wang Rongbao, former secretary of the Party Group and chairman of the Provincial Federation of Returned Overseas Chinese, Li Pengcheng, former secretary of the Party Group and chairman of the Guangzhou Federation of Literary and Art Circles, Lu Chengzhong, former inspector of the Guangdong Federation of Literary and Art Circles, Ni Qian, director of the Propaganda Department of the Maoming Municipal Party Committee, and Luo Lijie, former chairman of the Shenzhen Federation of Literary and Art Circles , former Secretary of the Shanwei Municipal Party Committee Rong Tiewen, former Secretary of the Qingyuan Municipal Party Committee Luo Yanqiu, former Deputy Secretary of the Qingyuan Municipal Party Committee Deng Guangrong, Li Bin, Director of the Cadre Department of the Propaganda Department of the Guangdong Provincial Party Committee, Xu Yongbo, Director of the Literature and Art Department of the Guangdong Provincial Party Committee Propaganda Department, Tang Guohua, Director of the Literature and Art Department of the Guangdong Provincial Department of Culture, Xie Liuqing, Head of the Discipline Inspection Group of the Guangzhou Municipal Commission for Discipline Inspection, Li Jingyan, Member of the Party Committee and Director of the Guangdong Provincial Department of Justice, Wu Jialian, Secretary of the Party Committee of Guangdong Provincial Vocational College, and Jie Ye, Secretary of the Party Group and Director of the Guangzhou Municipal Local Taxation Bureau. Advisors of Guangdong Calligraphers Association: Lian Deng, Chen Chusheng, Ou Guangyong, Liang Dingguang, Zhou Guocheng, Zhou Shujian; Yan BabaylanYi Duan, Director of the China Calligraphy Association and Vice Chairman of the Guangdong Calligraphy Association, Vice Chairman of the Guangdong Calligraphy Association: Wang Zhongyong, Xu Hongji, Li Xiaoru, Chen Chunsheng, Chen Qinshuo, Zhou Hanbiao, Qi Guhua, Lan Guanghao, Cai Zhaobo; Members of the presidium of the Guangdong Calligraphy Association: Wang Zhimin, Wang Daoguo, Li Qingwei, Shen Yongtai, Chen Zhiping, Ni Kuan, Huang Zhixiong, Liang Xiaozhuang; China Fan Chunqi, Vice Chairman of the Hong Kong Branch of the Calligraphy Association, Li Feihong, Deputy Secretary-General of the Guangdong Calligraphy Association, Jin Jijun, Vice President and Master’s Supervisor of the School of Fine Arts of Guangdong Technical Normal University, Wu Huiping, Deputy Director of the Research Department of Guangzhou Academy of Fine Arts and Master’s Supervisor; Representatives of calligraphy media include: Jiang Shoutian, member of the Academic Committee of the Chinese Calligraphy Association and Deputy Editor-in-Chief of Calligraphy Guide, Li Yuegui, Vice Chairman of the Heilongjiang Calligraphy Association and President of Youth Calligraphy Newspaper, Cai Shunong, Chief Reporter of the Arts of China Calligraphy Newspaper, and President of China Calligraphy Newspaper href=”https://comicmov.com/”>Komiks Director of the Registration and Editorial Center and Editor Zhang Xin, Editor of the “China Calligraphy and Painting” magazine Liu Guang, Director, Editor and reporter of the China Calligraphy Publishing and Media Office, Qi Yuxin, Director of the Chinese Calligrapher Forum, and Che Dilin, Editor-in-Chief of China Calligraphy Network. Chairman and vice chairman of Calligraphy Associations in various cities in the province include: Wu Xuexiang, Feng Wenqin, Komiks Yu Naigang, Zhou Jun, Feng Yongsheng, Xie Jiahua, Zhang Yulin, Zhang Wenfeng, Zhu Qiming, Song Huannan, etc.; celebrities in the social enterprise industry include: Feng Baiqiao, President of the China Cross-Strait and Four Regions Cultural Exchange Association, Liu Yuhong, Vice President of Canada Ball Group, Guan Pengcheng, Party Secretary of China South China Company, Liang Zhongjing, Director of Jinan University, Li Shunfang, former deputy inspector of the Guangdong Provincial Department of Civil Affairs, and GuangHuang Yiping, deputy general manager of Dongzhongjun Entrepreneurship Services Co., Ltd., Yang Xiaoling, first vice chairman of Leshan Hall in Kowloon, Hong Kong, Ye Jinfu, founder of Cinema Group Co., Ltd., and Li Rirong, chairman of Guangdong Rongji Group.
Card script Zhongtang 248cm×129cKomiksm
The cultural fortune is connected with the national fortune, and the cultural tradition is connected with the national fortune.
——Xi Jinping: “Speech at the opening ceremony of the Tenth National Congress of the China Federation of Literary and Art Circles and the Ninth National Congress of the Chinese Writers Association”, People’s Daily December 1, 2016
The above guests, calligraphers and scholars from all over the country, professors, students, and calligraphy enthusiasts from universities participated in the full-day event.
The opening ceremony was co-hosted by Yan Yiduan, director of the China Calligraphy Association, full-time vice chairman and secretary-general of the Guangdong Calligraphy Association, and Sheng Nan, a famous host of Guangdong TV. Wu Dongmin, Vice Chairman of the Chinese Calligraphy Association, Cheng Yang, Secretary of the Party Group of the Eastern Federation of Literary and Art Circles, and Zhang Guiguang, Chairman of the Guangdong Calligraphy Association, delivered speeches respectively. They all expressed warm congratulations on the successful holding of the exhibition, praised the content of the exhibition’s interpretation of classics, and fully affirmed Li Yuandong’s artistic attainments in calligraphy creation, poetry writing, etc.
Li Yuandong gave a thank-you speech, profoundly expounding his experience in studying General Secretary Xi’s Jin Yan and using allusions, and expressed his sincere gratitude to the times, society, teachers and good friends. While analyzing the exploration concept of the integration of creative content and inscriptions and calligraphy, he expressed his willingness to continue to work hard and unite with his colleagues, and make greater contributions to the development of Guangdong’s calligraphy world.
This exhibition is a link in the Guangdong Provincial Propaganda Department’s highlighting talent support and development plan. “Lingnan Spring View – Collection of Calligraphy Works by Li Yuandong’s Self-written Poetry Couplets” was published simultaneously by Lingnan Fine Arts Publishing House. Shen Peng, former chairman of the Chinese Calligraphy Association, signed “Lingnan Spring View” and General Li Qianyuan, wrote “Praise of the New Era”, Zhang Hai, former chairman of the Chinese Calligraphy Association, wrote congratulations, Chen Yongzheng, former vice chairman of the Chinese Calligraphy Association, and prefaced the works of Western Chinese writings by members of the Academic Committee of the Chinese Calligraphy Association. Guangdong TV also specially recorded a special film “Li Yuandong’s Calligraphy Art” and gave a comprehensive and multi-angle push display of this event. It can be seen that the exhibition has a great masterpiece and a clear orientation of poetry and calligraphy, which is of great inspirational significance at the moment.
The exhibition has nearly 100 works, in various forms, either in two-meter-long books, or in a simple sketch, or in a casual cursive script, or a quiet Wei stele. It fully displays the allusions of General Secretary Xi Jinping’s Jin Yan, and Li Yuandong’s praises of the new era, show the new era style, and describes the magnificent description.Self-written poems and couplets of rivers and mountains. This exhibition comprehensively demonstrates Li Yuandong’s unremitting exploration in interpreting classics, poetry, songs, calligraphy creation, etc.
Li Yuandong, as a well-known calligrapher in Lingnan who is active in the country, studied under Wang Chucai, Ou Guangyong, Sun Boxiang and others. Over the past 30 years, he has done a lot of effective work in calligraphy creation, talent training, public welfare and benefiting the people, and has made important contributions to Guangdong’s literary and artistic undertakings. He is a literary and artistic worker and calligrapher with outstanding comprehensive literacy in the contemporary Chinese calligraphy world.
This exhibition ends on May 5th.
Regular script 120cm×120cm
On Kang Youwei Interpretation:
A dream of the bus, and the 100-day Reform Movement will be gone to Maicheng. The lush trees are passed down through the world, and the sound of the cold year is alone.
The book of Datong has a high meaning, and the art boat conveys the retro love. Whoever discusses the light of the South China Sea? Right and wrong, merit and demerit will be clearly distinguished.