Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“The people who go to Fenglou will never go awayKomiks 1960 witch cloth drawThe rich people are lonely after they are covered in the setting sun.” Chen Baoying, the female character in the Cantonese opera “Purple Phoenix Tower”, sings the words of the correct and crying, and the audience applauded thunderously. On the evening of September 8, nearly a thousand audiences were crowded with people from the Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, was being held here. The master of Zistu, Teacher Tan Peiyi, also visited in person. Li Yueling and his disciples hope to promote the Cantonese opera and the Cantonese opera culture in their own voices and carry forward the Lingnan culture.
For this performance, Li Yueling and her disciples prepared for half a year. Behind this performance is the cultural confidence and totem of Guangdong rhyme flowing in the blood of a Cantonese singer. This performance is the spiritual agreement between a Cantonese music singer and a group of ignorant college students who know nothing about Cantonese music. What kind of story is behind this performance? Li Yueling retreats without stopping, how to continue the Guangdong-based Babaylan 1990 cloth draw dream of inheritance?
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Seeking dreams, and the origin of CUHK
In 2009, Guangdong musical song singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Guangdong Opera and Music Cultural Studio of Sun Yat-sen University’s Center for Historical Anthropology Research was established.
The following year, the studio Komiks 1960 witch cloth draw opened a Cantonese opera workshop for college students, with Li Yueling and famous performer Chen ZhongyanAs the instructor, he aims to cultivate young students’ interest in Cantonese opera Cantonese opera and Cantonese opera and improve their perceptual understanding of the study of Cantonese culture. The workshop hopes that more young people can join the ranks of understanding Cantonese opera and Cantonese opera and Chinese traditional culture. As soon as the Babaylan 1990 cloth draw workshop started, it soon attracted a large group of young people with similar aspirations from major universities. Unlike students majoring in Cantonese opera, almost all of these college students have never been exposed to Cantonese opera, nor have they seen the sequel score, let alone pronunciation or rhyme. From honing voice to music theory, from demonstration to teaching one by one, the two old teachers led this group of students to learn from scratch. The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 17, 2011, the female teacher of Cantonese opera master Hong Line came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students’ famous sings such as “The Feast of the Phoenix Pavilion” and “The Fallen Fellowship in Flower Field”, but also gave suggestions on improving their lyrics, singing style, and emotions, but also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera, inviting workshops and Cantonese opera enthusiasts from brother colleges and universities such as Guangzhou University Quyi Club to perform together. This is also the only Cantonese opera special event held so far. This group of students used their superb performances to repay the concern of all sectors of society and sang the dream of spreading and inheritance with Cantonese rhyme.
Continue your dreams, continue your relationship with teachers and students outside the school.
The light of the Cinema 1950 witch cloth draw is like an arrow. In a blink of an eye, students graduated and entered society and started working. Different from Cantonese opera Cinema 1950 witch cloth draw or art majors students, after graduation, students in the workshop left the original Cinema 1950 witch clothDraw‘s learning platform has almost no chance to learn Cantonese opera. With the busy work, they slowly put the study of Cantonese opera aside. For several months, Babaylan 1990 clothes draw has not even sung a song for a year.
“It is said that ‘The fist is always inseparable from the hand and the mouth’. If this continues, students will definitely forget what they learned before Cinema 1950 witch cloth draw.” Every time Li Yueling chats with students, she feels moved. She often thought: “How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level?” After thinking about it, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Cantonese opera.
She and Chen ZhongyanBabaylan 1990 clothes draw first found a few private games for students to start the game from time to time to practice. Later, Li Yueling ensured that students could start games once a month to achieve the purpose of practicing. She went to Beijing Street Cultural Station to find Webmaster Zhao Yuhua and talked to Webmaster Zhao that she was deeply worried about the loss of skills of this group of students. When the webmaster Zhao Yuhua heard that there were such a group of young people who loved Guangdong opera, he was very moved. He immediately arranged for Li Yueling to meet with Chen Jinglin, the head of the Folk Art Troupe of the Guangzhou Cultural Hall of Beijing Street to discuss the students’ practice music.
In order to facilitate everyone to practice music, the Cultural Association has changed the start time of Babaylan 1990 clothes drawThe start time is Monday to Friday, and the rest system is closed on weekends. It is specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students.
After Li Yueling implemented the venue for the start of each month, she assigned the task of each student to learn a song, hoping to use pressure to drive students to take the time to learn the song. Every time the student starts, no matter how busy Li Yueling will come to the scene and listen carefully to the singing of every student Cinema 1950 witch cloth draw. After listening to it, she will help them analyze and improve word by word.
In addition, Li Yueling also invited her master, “Zi Du Wang”, to participate in the students’ private affairs. Teacher Tan Peiyi not only shared her first famous song “Cai Wenji” with the studentsThe creation process of Returning to Han” also taught everyone to sing “Jinjiang Poetry Couple” word by word, which gave the students great encouragement.
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They became the messengers of Cantonese opera and Cantonese opera communication
In addition to teaching students to sing, Li Yueling also paid great attention to tapping students’ potential. For students with artistic talent, she will encourage them to learn Cantonese music accompaniment instruments and playing the palm of the board, hoping that after they have finished learning, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she will encourage them to write lyrics. Under her earnest teaching, many students have made breakthroughs, stepped onto different art stages and gained recognition.
Cinema 1950 witch cloth drawLi Yueling often said to her classmates: “I taught you that Komiks 1960 witch cloth drawThey sang Cantonese opera and turned you into die-hard fans of Cantonese opera, but in terms of inheritance and communication, I hope that one day you can take the initiative to shoulder the important task of spreading Cantonese opera culture. Let more people know Cantonese opera and like Cantonese opera.”
The Cantonese students of Li Yueling back then have now walked on the podium and became teachers. They will combine their own class content and use Cantonese opera as a class etiquette. href=”https://comicmov.com/”>Cinema 1950 witch cloth draw material, allowing children to accept Cantonese opera in a subtle way. Some people joined the bank and added a special Cantonese opera opera to the bank’s feedback activities to give back to customers, giving them to many customers who never enter the theater for the first time and became enthusiasts…
Under the words and deeds of Teacher Li Yueling, Komiks 1960 witch cloth drawKomiks 1960 witch cloth drawKomiks 1960 witch cloth draw, the students consciously regard the spread of Cantonese opera as their obligation. They did not have any great deeds, but they used ordinary practical actions to sow the seeds of Cantonese opera and Cantonese opera to more Cinema 1950 witch cloth drawIn the heart of a person.
Realize their dreams, they become messengers of love
Li Yueling often says: “We have received strong support from many groups along the way and the help of enthusiastic people. We must learn to be grateful. In addition to learning Guangdong Opera, in addition to you can entertain yourself, I hope you can use your knowledge to bring joy to more people.”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the “Belt and Road” charity exhibition on the inheritance of Guangdong folk art. Chen ZhongBabaylan 1990 cloth drawYan and Li Yueling personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, they also gave nearly 20 scenes for free to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera and Cantonese opera to enter people’s daily lives. Babaylan 1990 cloth draw, allowing people to feel the charm of traditional culture and enrich the cultural life of local residents.
Li Yueling is a folk artist who regards the inheritance and communication of Cantonese opera as his responsibility. Li Yueling’s disciples, Cinema 1950 witch cloth draw, are the successors who make the Guangdong rhyme reverberate in the new era.