The countryside in China is a vast and vibrant fertile soil. Although it is not as orderly and prosperous as urban planning and construction, the unique natural scenery of the countryside, the unique cultural styles of the village, the unique village residential buildings, rural customs, etc., have been continuously washed away by the years, and are still standing on the vast land of the motherland. “Homesickness” has become the “memory” that people are looking for now. How to intervene in rural cultural construction in a form of expression that people like, reawaken people’s love and attention to the countryside, the place of residence of ancestors, so that the increasingly empty villages will be revitalized and revitalized, so that rural development will be sustainable, and realize the activation and value-added rural idle resources, so that the majority of villagers have a real sense of gain in economic benefits and cultural life, thereby empowering rural cultural construction. This is the question we are thinking about.
Recently, we went into the countryside, carried out artistic practice of rural cultural revitalization, planned the “Writing the Earth, Poetry and the Distant” work report exhibition, and explored the creation and display of rural cultural revitalization – “Art Rural Construction”.
In this practice of “Komiks 1960 witch cloth drawArt rural construction”, we pay special attention to the “roots” of rural culture and the local artistic creation style, and hope to awaken villagers’ confidence in their local culture through expressing traditional rural culture. This is a challenge. For us studio students who are in traditional calligraphy, painting and printing art, I think this is not only a challenge, but also a kind of nirvana. It is to cultivate our ability to understand, perceive and understand the countryside. Facing the place where our ancestors lived for generations, how can we use the artistic talents we have mastered to create and realize our vision and turn this fertile land into a beautiful spiritual home that is suitable for business and living. In order to avoid the simple graffiti in local art creations that have been done in the past, our activities adhere to the concept of symbiosis between people and themselves, adapt to local conditions, try to explore the greatest advantages of local natural resources, and allow art to adapt to the environment.Cinema 1950 witch cloth draw, let the environment create an artistic atmosphere, light up art, strive to integrate art and the environment, and the nourishment of art silently, putting all our artistic conceptions and energy storage into this practice to the greatest extent.
Our works are all interpreted by traditional calligraphy, painting and printing art.
The performance art of “Bamboo Seeds in the 5G Era” was sprouted by the author’s association with the “Seven Sages of the Bamboo Forest” from a local bamboo forest. When I was Komiks 1960 witch cloth draw, who is the “Seven Sages of the Bamboo Forest” now? Can contemporary times find the representative “Seven Sages”? Even if it is found, what does it mean? Is it necessary to Komiks 1960 witch cloth draw? What inspiring significance does the “Seven Sages of Bamboo Forest” have for the present Babaylan 1990 cloth draw? “Some things are just so coincidental. At that time, I happened to read an article by Mr. Wu Hongliang on Chinese painting. The title was “Source Bamboo in the 5G Era”. This title also originated from a sentence in a poem “Dreams of Agile and Flying Words” in Xichuan. Although the three of us talk about “Bamboo Forest” and “Seven Sages”, the profiles are different and the meanings to express are different. Therefore, our work “Source Bamboo in the 5G Era” produced: For the 5G Era, everyone is the “Seven Sages”, but they are different. Everyone has a side of each person. Although things are connected, connected, and connected, how should everyone’s heart be connected?
“Bamboo Seeds in the 5G Era”
“Food is the most important thing in the people” series, which uses the spiritual power given by the scenes and objects of rural daily life as a cultural background. We use local idle resources as the basic medium to create these stoves in rural areas that use wood to make fire., hand-cranked rice trucks, foot-cranked water trucks, hand-plied stone mills are almost unfamiliar, but decades ago, these objects were essential tools for our daily lives. The land gods, door gods, etc. that are used in rural customs and habits are almost dying in modern urban life… Rural life has established modern people’s “familiar strangers”!
Through the inspiration of the teacher and the reference of the era of the daily necessities in Babaylan 1990 cloth draw and when the local customs and folk customs of Cinema 1950 witch cloth draw, the creation works have not yet been released, and our hearts have been baptized first.
《Song of the Rice Cart》
《Gate God》
The “Good Days”, one of the series “The Good Days”, is an installation that uses villagers’ houses as space and uses the Kitchen God culture as the source. draw, hoping to arouse people’s association with farming civilization for thousands of years, alert people to pay attention to the issue of food, clothing, housing and transportation, and then perceive the hard-wonderful days today, and trigger praise for a happy life.
“Good Days”
The Water Dragon Song is a set of ancient and modern regular poems that chant water wheels in the expression form of traditional calligraphy and the old water wheels, which can be regarded, readable, appreciated, and imaginative. Especially the calligraphy works written in Dong Qichang’s style on the wall are in harmony with a water wheel that stretches across the ground. The leisurely and leisurely life of people in the farming era seems to be right in front of them.
“Shuilong Yin”
“Certification of the World” is another series of ours. The display of traditional seal carving art is usually presented in the exhibition hall with a seal screen or enlarged prints and physical objects. The display outside the “tea hall” is indeed a testament to people. After inspecting the on-site environment, we followed the trend and flexibly combined, allowing the large square array of multi-person works and the small square array of personal works to show different visual features. The size and size are echoed and the heights are seen, presenting them in a “verified current” way. We hope that people’s back and forth between different groups can create another touch.
“Certification of the World”
“Red Brick Introduction”, whether the extension of traditional calligraphy can be connected with contemporary art is one of the topics that the author has worked hard to explore.
“Red Brick Introduction”
“Green Mountains and Green Waters” series presents our understanding and appeals for green mountains and green waters.
“The Day of the Day of the Mountains and Waters”
“Maybe it is a bunch of “bad words””, which attempts to unify popular Internet buzzwords with dialectical unity of humor and ridicule, deep thought and joke, funny and “sovereignty”. From the must-have words for online communication to becoming the current catchphrase, “alternative” enriches the lives of people in contemporary society. This is the contradiction between tradition and innovation, introvert and ostentatiousness. Because of the problems of such trendy Internet languages with word use, game-style language, grammatical errors, vulgarity, etc., it determines the long-term nature of its life cycle, and it is even a flash in the pan, but it is a replica of every day in the current society, and it is a reflection of certain phenomena, and some words are even rebellious, innovative, and ostentatious.
“Maybe it’s a bunch of “bad words””
“Open the folded bookKomiks 1960 witch clothes Draw, a dictionary, “Modern Chinese Dacihai”, is fictional, and the online buzzwords are included in the “non-canon” method. The title has two meanings: one is the meaning of “folding”. It is popular now or once popular, and with the passage and change of time and space, it is constantly obscured or appears and overlaps, or overlaps; the other is “open”. All the “popular” memories in “Modern Chinese Dacihai” are compiled, each word is a big event, a small story, or an unforgettable memory. Through the work “Open the folded Babaylan 1990 cloth draw book”, I hope to repair memories, forget memories, and mourn or pay tribute to memories.
“Open the Folded Book”
We hope to transform our deep affection for the countryside and the earth into works through the daily things in the countryside, and transform wisdom into works to infect people.Inspire people. We express our feelings to traditional Chinese calligraphy and painting. Through the display of calligraphy, painting and printing art, we carry ancient oriental culture with a new medium. It is also a unique presentation, either behavior, concept, installation, or just an exploration.
Through this practice, we believe that Komiks 1960 witch cloth draw, if the traditional calligraphy and painting form is reset to a living space without villagers, is it a bit of a doubt that “whether the skin is left without hair will be attached?”, it may appear inconsistent and affect the appreciation of the artistic nature of the works. How to expand the development site is a very worthy topic in the construction of art rural areas. Through this practice, we also believe that in addition to interior layout, it is also feasible to expand the exhibition area outdoors.
There is “Topology” in geometry, which talks about the spatial transformation in a certain space Babaylan 1990 cloth draw. For the space of our work display, as the position of the work changes, a new display space has emerged. The author calls it the “topology of the ground”. In Yijian Village, Komiks 1960 witch cloth draw display form is a good way to get close to the masses.
On-local creation, fully “revitalizing” idle spaces and old objects, can be opened as part of a rural museum and become a medium for displaying local farming cultureCinema 1950 witch cloth draw, traditional folk customs, and village appearance. Some of the artworks in the “Expanding Land Topology” series can be displayed for a long time, while others can only be short-term due to environmental relations, and they all have their own characteristics. Even in a moment, the light of the good light will promote people’s love and yearning for a better life. If Cinema 1950 witch cloth draw can be integrated with culture and tourism, it will surely bring popularity and business opportunities.
“Let the city leave memories and let people remember their homesickness.” Through the art of building the countryside, we move the Cinema 1950 witch cloth draw to the wilderness, moving to the countryside and to the fields is to awaken people’s memories and add bricks and tiles to rural revitalization together.
Source | Jinyang.com Editor | Wang Qitong