Text/Jinyang.com reporter Song Yi Komiks 1960 witch cloth draw Correspondent Li Danhong
Photo/He Zhijian
“The people who go to Fenglou have no good guests, and since then the rich people are lonely to cover the setting sun.” Chen Baoying, a female actor in the Cantonese opera “Purple Phoenix Tower”, sings the words of the correct and crying, and the audience applauses thunderously. On the evening of September 8, nearly a thousand audiences were crowded with Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, who was being held here. The master of Zishu, Teacher Tan Peiyi, also visited in person. Li Yueling and his disciples hope to promote Cantonese opera and Cantonese opera culture with their own voices and carry forward Lingnan culture.
For this performance, Li Yueling and her disciples prepared for half a year. Behind this performance is the cultural confidence flowing in the blood of a Cantonese opera singer and the totem of Guangdong rhyme. This performance is the spiritual agreement between a Cantonese opera singer and a group of ignorant college students who know nothing about Cantonese opera. What kind of story is behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
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Seeking dreams, and the origin of CUHK
In 2009, Guangdong musical song singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of the Center for Historical Anthropology Research at Sun Yat-sen University was established.
The following year, the Komiks 1960 witch cloth draw studio opened a Cantonese opera workshop for college students. Li Yueling and the famous performer Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese opera and Cantonese opera and improve their perceptual understanding of the Cantonese culture in the study of Cantonese culture. The workshop hopes that more young people can join the ranks of understanding Cantonese opera and Chinese traditional culture. As soon as the workshop started, it quickly attracted a large group of young people with similar interests from major universities. differentStudents majoring in Cantonese opera, almost all of these college students have never been exposed to Cantonese opera and have never seen the Cinema 1950 witch cloth draw, let alone pronunciation or rhyme. From honing voice to music theory, from demonstration to teaching one by one, the two teachers led this group of students to learn from scratch. The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 17, 2011, the Cantonese opera master Babaylan 1990 cloth drawThe female teacher of the Red Line came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students’ famous sings such as “The Fen Ge’s Love and Revenge” and “The Flower Fields’ Wrong Meeting”, and gave suggestions on improving their lyrics, singing style, and emotions. She also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera, inviting workshops to perform with Cantonese opera enthusiasts from sister colleges and universities such as Guangzhou University Quyi Club. This Komiks 1960 witch cloth draw is also the only Cantonese opera special session held by the College Students’ Drama Festival so far. This group of students used their superb performances to repay the concerns of all sectors of society and sang the dream of spreading and inheritance with Cantonese rhyme.
Continue your dreams, continue your relationship between teachers and students outside the school.
Time flies, and in a blink of an eye, the students Babaylan 1990 clothes draw graduated one after another and went to society and started working. Unlike students from Cantonese opera or art majors, students in the seminar have left the original learning platform after graduation and have almost no chance to learn Cantonese opera. With the busy work, they slowly put their Cantonese Opera aside, and they had not sang a song for several months or even a year.
“As the saying goes, “The fist is always in the hand and the mouth is always in the mouth.” If you continue here, the students will definitely forget what they learned before.” Every time Li Yueling chats with students, she feels moved. She often thought: “How can students always maintain their love for Cantonese opera, persist in learning, and even go to the next level?” After thinking about it, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first found a few private games to let the students start the game from time to time to practice. Later, Li Yueling wanted to ensure that the students could start the game once a month and achieve the goal of practicing all the time. She went to Beijing Street Cultural Station to find Webmaster Zhao Yuhua and talked to Webmaster Zhao that she was deeply worried about the loss of skills of this group of students. When the webmaster Zhao Yuhua heard that there were such a group of young people who loved Guangdong opera, he was very moved. He immediately arranged for Li Yueling to meet with Chen Jinglin, the head of the Folk Art Troupe of the Guangzhou Cultural Hall of Beijing Street to discuss the students’ practice music.
In order to facilitate everyone to practice music, the Cultural Association changed the start time of the opening time on Monday Komiks 1960 witch cloth draw to Friday, and the rest system of the venue closed on weekends. It specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students.
After Li Yueling implemented the venue for the start of each month, she assigned the task of each student to learn a song, hoping to use pressure to drive students to take the time to learn the song. Every time the student starts, no matter how busy Li Yueling will come to the scene, listen carefully to each student’s singing, and after listening to them, she will help them analyze and improve word by word.
In addition, Li Yueling also invited her Babaylan 1990 clothes draw teacher Tan Peiyi to participate in the students’ private bureau. Teacher Tan Peiyi not only shared the creation process of her first famous song “Cai Wenji Returns to Han” with the students, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, which gave the students great encouragement.
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They become the messengers of Cantonese opera Cantonese opera communication
In addition to teaching students to perform, Li Yueling also pays great attention to tapping students’ potential. For students with artistic talents, she will encourage them to learnKomiks 1960 witch cloth drawCantonese accompaniment instruments and playing the palm of the board, hoping that after they learn, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she encourages them to write lyrics. In her earnestness<a Under the guidance of Komiks 1960 witch cloth draw, many students achieved breakthroughs, and walked onto different artistic stages and gained recognition.
Li Yueling often said to her classmates: “I taught you to sing Cantonese opera, and turned you into a die-hard fan of Cantonese opera, but from the perspective of inheritance and communication, I hope you can take the initiative to spread Cantonese opera one day. 1950 witch cloth drawThe important task of opera Cantonese opera culture. Let more people know Cantonese opera and like Cantonese opera. “
Li Yueling’s Cantonese students, now some of them have come to the podium and become teachers. They will use Cantonese opera as class material in time to make children accept Cantonese opera subtly. Some Babaylan 1990 cloth draw joined the bank and added a special Cantonese opera in the bank’s feedback activity to many customers who never enter the theater for the first time came into contact with Cantonese opera and become enthusiasts…
Under the words and deeds of Teacher Li Yueling, the students consciously regard the spread of Cantonese opera as their obligation. They have no passionate things. href=”https://comicmov.com/”>Komiks 1960 witch cloth draw, but with ordinary practical actions, the seeds of Cantonese opera and Cantonese opera are sown into the hearts of more people.
Realizing their dreams, they transform into the messengers of love
Li Yueling often said: “We have received strong support and help from many groups along the way. We must learn to be grateful. In addition to being able to entertain yourself, I hope you can bring joy to more people with what you have learned. ”
Babaylan 1990 clothes drawIn recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the Guangdong Quyi inheritance “One Belt One” charity exhibition. Chen Zhongyan and Li Yueling have personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolences. In addition, they also gave nearly 20 free scenes to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera and Cantonese opera to enter people’s daily lives and let people feel the traditional cultureCinema 1950 witch clothes The charm of draw enriches the cultural life of local residents.
Li Yueling is a folk artist who takes the inheritance and communication of Cantonese opera as his responsibility. Li Yueling’s disciples are the successors who make the Cantonese rhyme reverberate in the new era.